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Thursday, March 8, 2018

Why Zimbabwe should be your next holiday destination

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Source: Why Zimbabwe should be your next holiday destination – telegraph.co.uk 

Last month, after years of discussion and a £120 million loan from China, Zimbabwe’s Victoria Falls International Airport was finally opened by President Robert Mugabe.

There are no direct flights from the UK as yet, but with a runway capable of handling the world’s largest planes, plus 28 aircraft docking bays which could triple the capacity of the old airport to 1.5 million passengers a year, it looks set to usher in a new era of tourism for Zimbabwe.

When I landed there from Johannesburg a few weeks before the official opening, there was already a buzz in the air – particularly at the Victoria Falls Hotel, where the patio restaurant was full of diners in celebratory mood.

One official told me that between 3,000 and 5,000 visitors are arriving by foot each day on the Zimbabwe side of the falls (which straddle the border with Zambia), a clear sign that the country is back on the tourism map. The number of arrivals should increase dramatically now that the airport is complete.

What can visitors expect? On the one hand, “Zim” is spectacular, a place the BBC’s former Africa correspondent Michael Buerk called “the most beautiful country on the continent”. It has impressive natural features: mighty rivers (the Zambezi and Limpopo), game-filled plains (at Mana Pools), a lake half the size of Belgium (Kariba), a national park the size of Wales (Hwange) and boulder-strewn hills adorned with ancient San art (Matobo).

But it is also a country that has seen horrific genocide, its people brutally suppressed by politicians who have tried to quash democracy, destroying a once-thriving agricultural economy and creating hunger, homelessness and 80 per cent unemployment.

Despite all this, Zimbabweans are positive people, their motto being “We’ll make a plan”. Now that Robert Mugabe is 93, their plan – of a country without him – is gaining momentum. Tourism will be a big part of that.

I have been back to Zimbabwe every year for the past three decades, to visit the country of my birth. On my latest trip, I was amazed by the number of old friends returning to tourism as a way of making a living.

Over two weeks, every camp I stayed in was full of international guests, enjoying an experience every bit as enriching as in any other southern African country – and substantially cheaper than neighbouring Botswana or Zambia.

For those who want to see more of the country, new internal flights on the low-cost FastJet airline, together with private aviation companies, make this possible. I combined flying and driving around the country’s three biggest tourist destinations – Victoria Falls, Hwange and Lake Kariba. Here is my guide to the highlights.

The Explorations Company (01367 850566; explorations company.com) is offering a 12-night trip to Zimbabwe, with three nights at Zambezi Sands, four at Little Makalolo and The Hide, and three at Changa Safari Camp, from £4,790 per person, including flight, transfers, full board and most activities.

Victoria Falls

Why go?

One of the Seven Natural Wonders of the World, this is the world’s greatest mass of falling water. Some 5,633ft wide and 343ft tall, the falls are as impressive today as when David Livingstone wrote that “scenes so lovely must have been gazed upon by angels in their flight”.

On the Zimbabwean side there are far more viewpoints (16) than in Zambia, including one above the thundering Devil’s Cataract and four facing Main Falls, where at peak season more than 27 million cubic feet of water fall per minute, drenching onlookers.

Because Victoria Falls has been a hub of tourism for decades, there are lots of activities on offer, from bungee jumping, abseiling and white-water rafting to diving with crocodiles. For the less adventurous, there are craft-shopping trips and sunset cruises.

While first-timers might prefer to stay in the town – at the relaxed Ilala Lodge (ilalalodge.com), the glamorous colonial Victoria Falls Hotel (victoriafallshotel.co) or the family-friendly Victoria Falls Safari Lodge (africaalbidatourism.com), new camps have been built just a 45-minute drive out of town – a welcome option for those who prefer to get away from it all after they have seen the falls.

The place to stay

Zambezi Sands, a bush camp on a remote stretch of the Zambezi river, was created by conservationist Mark Butcher. He has been protecting Zimbabwe’s wilderness for decades, both as a national parks ranger and through his community-based Imvelo Safaris group (imvelosafarilodges.com), to which Zambezi Sands belongs.

Butcher knows the falls area intimately and can arrange almost any activity, from fly-fishing for tigerfish to photographing lunar rainbows over the falls at night.

On this tranquil bend in the river, hippos snort and luminous blue kingfishers swoop. In the surrounding Zambezi National Park, plentiful wildlife roams. Days can be spent on game drives (mainly for elephant), walking through forests of Jackalberry and palm, fishing or canoeing with naturalists or affable camp managers.

This elegant, contemporary camp operates like a friendly boutique hotel. Its eight enormous Bedouin tents are on timber decks, with a plunge pool, outdoor shower, living area and bathroom with roll-top bath.

The big communal living room has colonial-style furnishings, the wide deck outside features a firepit (a cosy spot for stargazing) and the outdoor dining tables are in the daytime shaded by big cream umbrellas. The food is fresh, inventive and presented with pride by 27-year-old chef Frankie Banda.

Best of the rest

For real luxury, Matetsi River Lodge (andbeyond.com) offers the best of all worlds: big elegant rooms, a wine cellar and spa, as well as water activities and game viewing.

The 13 new tents at the Victoria Falls River Lodge (victoriafallsriverlodge.com) are airy and contemporary, with private plunge pools – but views are of the outskirts of Livingstone in Zambia, so the camp doesn’t feel remote.

The Elephant Camp (theelephantcamp.com) is highly recommended, but it is in the bush rather than on the river.

Hwange National Park

Why go?

This game park is not just huge – 5,625 square miles, about nine times the size of Greater London – but also boasts a wider variety of wildlife than anywhere else in Africa. As well as an estimated 50,000 elephants, in herds as large as 400, it is home to more than 100 species of mammal and 400 types of bird – a biodiversity to match that of the Kruger National Park in South Africa or South Luangwa in Zambia, but with fewer people, camps and cars.

What game you see depends on the area. In the hillier north-west (near Sinamatela, Nahimba and Camp Hwange), wild dogs are common. In the centre, near Main Camp, lions are frequently spotted, including prides that have perfected the art of elephant hunting. In the south-east, grassy vleis attract a staggering range of game.

Over four days in the central area, staying at three camps, I saw elephants, lions, a cheetah with three cubs, big herds of buffalo and giraffe, as well as relatively rare sable, eland and roan, and birds ranging from a giant verrose owl, with its distinctive pink eyelids, to the tiniest golden shaft-tailed whydah, trailing long glossy feathers to attract a mate.

The place to stay

Of three camps recently refurbished by Wilderness Safaris (wilderness-safaris.com), the smallest – Little Makalolo – has the most charm. (The others are Davidson’s, with a stylish new thatched lounge and pool, and the totally rebuilt Linkwasha, which has swanky new tents with sliding glass doors.)

Sleeping just 12, Little Makalolo is contemporary in style, with six mesh-walled tents containing shabby-chic furnishing. It feels more like a friendly little bush home than a luxury camp, and is set beside a watering hole where so many wild animals congregate that at night you are accompanied to your tent by an armed ranger.

Tents feature deep copper basins, outdoor showers open to the stars, comfortable beds with crisp white linen, and strong reading lights (a rare but much-appreciated extra).

Best of the rest

The Hide (thehide.com), a homely thatched camp built by the Preston family in 1992, is set on a private two-square-mile concession on the park’s edge. Its 10 thatched A-frame rooms are well laid out, with shaded verandas, practical shelving and, in the honeymoon suites, outdoor baths and double showers.

Head guide Nicholas Gaunje has worked for the family for 13 years, and imparts knowledge with sensitivity and dry humour, whether on a walking safari, a sleep-out in the Dove’s Nest treehouse, or a night drive (allowed on the concession).

He remembers the days when rhinos were frequently spotted in the area. “We haven’t seen any for about three years,” he says. “If it continues like this, the Earth won’t have any left.”

Lake Kariba

Why go?

This is one of the biggest man-made lakes in the world, like an inland sea covering an area roughly the size of Wales. When it was created in 1958 to generate hydroelectricity, more than 1,700 animals were rescued by conservationists from the rising waters and relocated to the adjacent Matusadona National Park.

Today the 540-square-mile park teems with wildlife and has just three places to stay within it: Rhino Safari Camp (rhinosafaricamp.com) in the north, a haunt of fishermen; Spurwing Island (spurwingisland.com), a favourite with families; and Changa Safari Camp, a smart new camp on a peninsula in the east.

Lake Kariba is a place where there is little to do but take in the big skies, the spectacular escarpment that stretches all the way to the Rift Valley, large expanses of water and the rich diversity of wildlife on its shores.

Activities revolve around water: watching birds, elephants, buffaloes and sometimes lions from a small speedboat; taking an atmospheric sunset cruise; kayaking (while looking out for hippos and 14ft-long crocodiles more than a century old) and fishing for bass, catfish and prized tigerfish.

The place to stay

Changa Safari Camp (changasafaricamp.com) is located  on the shores of Matusadona National Park. Owners Kevin Higgins and Angus Preston are keen conservationists intent on eradicating poaching, which is prevalent here. This they hope to achieve through their new NGO, the Matusadona Anti-Poaching Project (MAPP), and by attracting tourists back to enjoy Zimbabwean wildlife.

The camp – 23 miles from the main Kariba harbour – can be reached in 40 minutes by Avoca Transfers’ 16-seater speedboat, or in 20 minutes by plane to Fothergill Island. Whichever option you take, the journey there is an adventure in itself; we saw elephants before we had even reached the camp.

Like the Hide, Changa has been designed by people who understand what makes a safari pleasurable. The eight tents – two of which can accommodate a family of four – are large and well spaced out, with shaded verandas, comfy living spaces and bedrooms enclosed by big mesh windows which keep out bugs without cutting off the views.

There are several places in which to socialise, too: a bar shaped like a boat for sundowner G&Ts; a plunge pool surrounded by shaded bandas; a living area with a library and squashy sofas; and a dining space where the chef creates delicious buffets, from Cape pickled fish and Neapolitan meatballs to inventive salads and fresh fruit platters, all served with South African wines.

Most guests spend their time either out on the water, G&T in hand, or walking on the shores with an armed guide, seeing elephants, buffaloes and occasionally lions.

Best of the rest

Hire a houseboat. Arguably the most glamorous is the Matusadona (mv-matusadona.com), sleeping up to six.

Monday, May 22, 2017

Small Bathroom Darkroom Question - T-Shirt Forums

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Small Bathroom Darkroom Question

Old January 30th, 2010 Jan 30, 2010 5:00:29 PM -   #1 (permalink)

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Hello Everyone, Just for a heads up, I'm a total Noob.

I decided to try screen printing only as a hobby. I'm going to be using a small bathroom without a shower/tub as my darkroom because it's the only room without a window in the house. However, I can't figure out, after many hours of research, how to store the screens for emulsion drying in the dark room. I've seen many nice drying cabinets but all are too big for the room. I'm looking for something small and portable that will allow me to store the screens in a light safe environment so I can exit the room.

I'm contemplating buying a large plastic storage container (making it light safe) to store the screens flat but the container will not have any air flow to aid in the drying. Will that be an issue if I'm willing to wait 24 hrs?

Pending the successful answer to question #1 my next question is:
If I expose the screen in the dark room can I transport it to a non light safe bathroom for washout (approximately 30-45 secs) or will the emulsion harden before the washout is complete?

Any help is much appreciated!!!

 

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Old January 30th, 2010 Jan 30, 2010 5:10:04 PM -   #2 (permalink)

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Hey Steve! I'm new to screenprinting as well...but I have also been using a bathroom as a darkroom. I did all my emulsion coating and exposing at night so I wouldn't run into light issues. I also turn off all the lights in my house as well. I just put a towel on the counter and laid the screen on top with a fan blowing on it to dry. If the lights outside the bathroom are off you should be fine exiting the room.

As for your second question I don't think taking the screen to a non-light safe room to wash it out is a good idea...but I'm sure someone else can give you better insight to this question. The bathroom in the middle of my house doesn't have a window and has a shower so I just do everything in the bathroom.

 

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Old January 30th, 2010 Jan 30, 2010 5:28:45 PM -   #3 (permalink)

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I used tape rolls (3 inch masking tape, or what ever you use o mask your edges) to hold the screens up face down (One on each corner of the screen) while the emulsion dried with a fan facing them. Just stacked them on the floor. You can even stack multiple screens if you wanted to but have to be extremely careful!

My bathroom is also small bu I do have a shower in it so I didn't have to move the screens out. As long as you keep the emulsion away from direct UV light you should be okay though (complete darkness it not necessary)

Check out youtees if you haven't.

Good luck!

 

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Old January 30th, 2010 Jan 30, 2010 6:26:53 PM -   #4 (permalink)

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Been screen printing for about 6 years now and I don't have a dark room at all - never have. We use primarily cap film which exposes very quickly. In fact, screens with the Cap film expose in our screen exposer about 5 X faster then DXP coated t-shirt screens.

in either case ... I apply the cap film and the DXP with the lights on in the room. In there is a three 30 watt tube flourescent light.. not sure what type it is, but its the standard "office" type 24" fixture. There are no UV blockers on it. I've never had a problem with washout. While they dry, I do turn the lights off but they may see light for 5 - 10 minutes before that starts (I usually coat 4 - 5 screens at a time so the first one sits in the light while I do the others).

Now ... I'm not recommending that you do this. The point is that emulsion cures from UV light, not visible light. Different lamp types emit different amounts of UV so any given light may be a problem ... or it may not (regular incandescents can be a problem, but yellow bug lights generally are not). Even if you have windows in your house you may be able to carry coated screens around in front of them - most modern windows have UV films on them that keep the UV from the sun from coming into the house. If your windows have that then you're probably fairly well protected - I still wouldn't lean them against the glass to dry, but walking past them with no other protection isn't going to hurt. You can also get sleeves for your flourescent tubes that filter out all UV without blocking the visible. Most flourescents don't put out too much UV in the first place, but these sleeves get rid of all of it so you can leave the lights on all the time.

You'll want to limit exposure to light as much as possible, but generally speaking limited exposure probably won't hurt too much.

 

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Old January 31st, 2010 Jan 31, 2010 4:43:20 AM -   #5 (permalink)

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Kind of like an earlier post, in a small shop that I worked for we would coat the screens, put childrens blocks on the corners of the screens to keep them off the floor and separate from each other. We stacked them sometimes 8 high, then after they dried, put them in the box they came from for storage until they were used. Simple, cheap, worked just fine.

 

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Old January 31st, 2010 Jan 31, 2010 5:49:18 AM -   #6 (permalink)

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For a simple drying rack you can buy four 8 ' 2 x 4's (about $3 each). Take three of them and stand them tall. Put one in the corner of the room. The other two about 18" - 21" out from the corner (or farther if you use 30" screens ... you basically want to be out at least 80% the length and width). Cut 18" - 21" pieces from the 4th one and tie the two on the wall back to the one in the corner. Connect at the top and bottom so you basically have a free-standing corner frame. Now, cut 1" - 2" blocks from the remainder of the 4th board. Using a finish nailer, nail one block each on the bottom of each leg of your frame. Put one of your frames on it (the thickest type you have then a small spacer (thick piece of cardboard and put your next block on all three legs and nail those on. Just work your way up from there and you'll have yourself a drying rack in no time.

 

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Old January 31st, 2010 Jan 31, 2010 5:58:00 AM -   #7 (permalink)

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It's OK to coat your screens in a room with lights on... but away from direct sunlit windows. You do need to allow the emulsion to dry in a dark room. A large box will do the trick in a confined space. For storage after drying, you can use a box or black garbage bag.

If you need to transport exposed screens from exposure area to a washout area, place the screens in a black plastic garbage bag and you should be fine. Again, keep the screens away from any direct sunlight until you have washed them out completely. No better source of UV light than the sun, so you will expose your emulsion by an unshaded window.

 

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Old February 11th, 2010 Feb 11, 2010 5:20:24 PM -   #8 (permalink)

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I use a closet as my darkroom and take my screens outside to washout. (usualy at night)

If you do have to go outside to coat put the screens in a black trashbag and try to do your washout around dawn or dusk so there is low light.

 

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Old February 11th, 2010 Feb 11, 2010 5:51:10 PM -   #9 (permalink)

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Been doing this for a while now . . . when I first started and before I built my own drying rack. I got pieces of 1"x2" wood and cut into 2 in. pieces. coated the screens in the garage where with a bug light on. Then laid 1x2 on the floor at the top of screen and the bottom of the screen and repeated the process when I laid the screens on top of eachother. Then when the screens dried I put them in a black trash bag with a blanket over it to make sure of no UV exposure. When I burned the screen I sprayed it real good with water (water bottle) and moved it into a garbage can with a lid on it. Little at a time I lifted the lid and washed out the screen . . . (kind of a cheap way for a washout booth) never had a problem with this way . . . matter of fact when I work out of the home . . . I still wash out this way. Hit me up if you need any help.

One thing to not if you have wet the emulsion after exposure and wait for thirty or so seconds. You can remove the entire screen from the dark and as long you immediately start washing out you should be fine. Key is to make sure the emulsion stays soft when washing.

Hope this helps.

 

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Old February 13th, 2010 Feb 13, 2010 5:23:09 PM -   #10 (permalink)

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I understand you are starting and don't have the ability to cover any of your windows to make them light safe.

Beware that when drying your screens, water is the enemy. The sink and toilet atomize water when you use them. If you sit on the toilet and flush, you will feel it. Keep an eye on the humidity of the room with with a digital hygrometer.

You might consider putting a dehumidifier in the room to reduce humidity. After a night in your dehumidified room, the hygrometer will read it's lowest.

As the dehumidifier reclaims the moisture the stencils have given up, the room will return to it's lowest Rh% and you will know all the screens are as dry as you can make them.

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Old February 14th, 2010 Feb 14, 2010 3:44:45 AM -   #11 (permalink)

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Follow up on Dark Room Questions:

Maybe I've had some good luck but I've exposed a few screens with out any problems.

I've found that after coating my screens I can exit and enter the bathroom quickly (obviously keeping down to the absolute minimum) without any adverse exposure. After exposing my screens I'll put them in a heavy gauge black trash bag and immediately take them to another bathroom which has been darkened by hanging a towel over the curtains (Not completely dark like a darkroom). I'll wet the screens, being very light conscious while allowing to soak, then using a hand shower head, wash the screens out.

It's obviously not the optimal set up and workflow but it works for now.

I have encountered one problem. The shower head spray nozzle I'm using does not have a lot of pressure therefore puts too much water on the emulsion. I've not had any blowouts yet but I can see it happening. I'm looking for a powerful jet nozzle or some way to attach a hose nozzle to the shower head (Any suggestions?).

Thanks for all the replies!

 

Old February 14th, 2010 Feb 14, 2010 6:31:49 AM -   #12 (permalink)

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Remember, sensitizer reacts with invisible UV light, not visible light. Yellow light is safe light for processing screens because it is very low in UV energy and almost as bright as white light. I know it's Valentines Day, but don't go and buy a red safe light for visible light photography, because you will be only a little better than dark.


Developing your stencil

Water isn't your problem. You can never have too much water. You canhave, not enough exposure. This is the #1 screen making problem. #2 is a positive that doesn't stop all UV energy, like a bad raincoat. The perfect positive

The purpose of exposure is to change the stencil from something that will dissolve with water to something that won't dissolve with water. If the stencil breaks down - it's exposure.

The perfect positive stops all UV energy in the image area and lets UV energy harden/cure the stencil tat needs to stay in the mesh.

Today's a good day to try this print

Exposure is easy, if the image area doesn't dissolve, your positive failed to stop invisible UV energy from getting through your positive.

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Last edited by RichardGreaves; February 14th, 2010 at 07:53 AM..

 

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Old February 21st, 2010 Feb 21, 2010 11:46:56 PM -   #13 (permalink)

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If you're looking for pressure on the shower head, the sprayer end should remove and you can replace it with a hose nozzle. This should help with washout.

 

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