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Monday, June 19, 2017

Star-studded Santorini, the perfect honeymoon destination

Read article : Star-studded Santorini, the perfect honeymoon destination

Angelina Jolie reportedly bought a house with her ex-husband Brad Pitt on the island after falling in love with Santorini during the filming of Tomb Raider. Justin Bieber recorded a music video there recently. Even the Kardashians took a break from swanning around LA to jet across the Atlantic and film an episode of their reality television show on the island.

So what better honeymoon destination could you ask for if you are looking for a mix of glamour and relaxation after months of stressful wedding preparation? And that's exactly where my wife and I went, to take a break from reality and pretend we could afford to live it up like Brad and Angelina on a volcanic caldera in the Aegean Sea.

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Getting to Santorini, or even Greece for that matter, during the off-season is not straightforward. There are no daily direct flights to Athens and a stopover is necessary along the way. So to break up the air travel we decided to stay four nights in the Greek capital to take in the sites and sounds the historic city.

We checked into the five-star Royal Olympic Hotel which is one of the most luxurious and central hotels in Athens. The hotel lobby alone is a masterclass in stately opulence. Large replica statues of Greek goddesses nestle in between classic leather sofas and giant vases. If it is a business trip destination you're after, the hotel has 18 recently refurbished meeting rooms and each is renovated according to a theme nodding to the city's rich history.

You are doing yourself a disservice if you don't book into one of the hotel's panoramic rooms at the front of the building. Luxurious double rooms feature electronic curtains which can be drawn with the flick of a switch to reveal spectacular views of the Temple of Olympian Zeus and the Arch of Hadrian. Even more awe-inspiring are the views of the pinnacle of Greek architect - the Acropolis - from the Royal Olympic Hotel's rooftop garden restaurant. The view is only enhanced by the massive spread laid on by staff for the buffet breakfast, which features local delicacies and international favourites.

The rooftop restaurant is the perfect setting for a candle-lit dinner where you can tuck into high-end Greek dishes as the floodlit Acropolis looms over on the hotel. The hotel also has a pool bar and lounge which are the perfect settings for cocktails when the city heat gets too much.

Of course, the Acropolis should not only be enjoyed from the distance and a trek up the historic hilltop is an essential pilgrimage for any tourist. Signing up to one of the local tours is a good idea as the level of signage on the ancient citadel is limited.

Another must-see site is the Panathenaic Stadium, which is less than 15 minutes' walk from the hotel. The stadium is built entirely of marble and was the setting of the first modern Olympic Games in 1896.

The city is full of restaurants and cafes where a well-earned beer and local tapas can be devoured to break up the sightseeing. Every corner of the Plaka area of the city serves up fresh salads, fish and meats which can be washed down with a cold Mythos beer. The streets leading to Syntagma Square are also littered with restaurants of all price ranges. Fashion bargains are available a short walk from the square at the Monastiraki flea market, but, as always, beware of pickpockets. After four nights in Athens, we took the 30-minute flight to Santorini where we were collected from the airport by a representative from the Athina Luxury Suites company. After a short drive we arrived at the boutique clifftop resort in Santorini's capital Fira.

The first thing you notice in Fira are the steps. There are hundreds of them, winding up and down between the hotels and guesthouses sitting on the caldera cliff face. The second thing you notice is the donkey dung. Due to the lack of access for cars, donkeys are used as taxis for tourists and transport for construction workers.

Athina Luxury Suites is a small family-run business but the resort rolls out the sort of luxury you would expect from an international hotel company. Athina's staff (with particular mention going to key members Sarah, Lulu and Christopher, and of course the boss Panos) go above and beyond to ensure you are enjoying your stay. If you're looking for guidance on restaurants or attractions, the Athina staff won't steer you wrong.

For the first three nights we stayed in the honeymoon suite, which not only has a private jacuzzi on the balcony but also a steam room in the bedroom. A complementary bottle of Champagne sitting in an ice bucket was popped soon after our arrival.

After three nights in the honeymoon suite we were promoted to the royal suite. This luxury suite is a two-bedroom, three-bathroom villa, complete with marble staircase and heated balcony jacuzzi big enough to fit 10 people. There are three flat screen televisions, a full-size marble statue of the Greek goddess Athena, and enough room to host a dinner party for a dozen guests.

Fresh breakfast is served on the balcony every morning and the choices are endless. You can also have lunch or drinks by the pool in the evenings to watch the sunsets.

Santorini is not cheap and the average price of dinner is not far off what you might pay in Dublin. Seafood is the local speciality but most restaurants also serve up traditional Greek favourites such as souvlaki and gyros. On the main square there are some great little restaurants with plenty of outdoor seating. Ellinikon is worth checking out for the seabream alone. There are also some lively fast-food joints.

A little further up the road, the recently renovated Kokkalo provides a modern Greek twist on the typical US steakhouse restaurant. Falafel Land, which is tucked behind the square, is also a hidden gem for ideally-priced grub. Outside Fira, Mario's fish restaurant, which is located near the airport, served up the best meal of the trip.

Nightlife doesn't end after dinner in Fira, it only gets started. In early April, the party scene was only kicking off but there was a smattering of nightclubs and pubs luring in tourists with offers of cheap cocktails. The most popular is the Two Brothers Bar, where punters are offered free shots if they allow the barmen to whack them over the head with a stick. They give you a helmet to wear but they don't hold back when they hit you. Still, a free shot is a free shot. Locally brewed craft beer Crazy Donkey is difficult to find but if you do come across it, you should definitely try a bottle.

To really see Santorini, you need to rent a car. The island is small but public transport isn't great and most sights are only 20 minutes' drive away. You can zip around the coastal roads taking in views of the cliffs and the other volcanic islands sitting in the Aegean Sea.

It is worth driving south to Akrotiri to see the archaeological site of the first city on the island which dates back to 3,000BC. The nearby red beach is also worth a look. There's also a tomato factory museum if that's your thing.

The most northern tip of the island is the town of Oia where holidaymakers gather every evening to watch the bright red Greek sun disappear into the Aegean Sea. An all-day boat tour - drink and barbecue included - are also a popular way to see the island's spectacular coastline. With the sun beating down from the heavens there really is no better way to see Santorini. The catamaran cruises also end by harbouring in Oia to watch the sunset.

A week is the perfect amount of time to spend on this beautiful island, giving you a chance to lie on the beach or by the pool, as well as see the many sights. All in all, Santorini is the perfect honeymoon destination.

Top attractions

Sunset in Oia

Take an all-day catamaran cruise to Santorini’s most northern town, Oia, or drive, and find a perch along the historic walls to watch a spectacular sunset on the Aegean Sea.

Panathenaic Stadium

The first modern Olympic stadium can sometimes be overlooked by tourists but the sheer vastness of the entirely marble sports ground and its fascinating museum make it a must-see.

Getting there

Philip stayed in:

Royal Olympic Hotel

This five-star hotel is in the centre of Athens and a short walk from all the main attractions. Rooms range from around €180 per night for an executive room, to €625 for a suite. Athenian panorama rooms start from €345 per night.

www.royalolympic.com

Athina Luxury Suites

This five-star boutique hotel is on the caldera cliff-face in Santorini’s capital Fira.

Summer rates for junior suites start from €427 per night. The honeymoon suite is €769 per night and the royal suite costs around €1,282 during peak season.

www.athinasuites.com

Sunday, February 4, 2018

Bruce Beresford-Redman's prison diaries - CBS News

Read article : Bruce Beresford-Redman's prison diaries - CBS News

Produced by Josh Yager, Paul LaRosa and Ana Real

"48 Hours" first told the story of Bruce Beresford-Redman in 2012. His wife, Monica, was murdered in a Cancun hotel while his family was vacationing. Bruce returned to the United States to take care of his children, but when Mexico charged him with his wife's murder, he was extradited there to stand trial. Nearly three years later, he is still on trial.

Where does the case stand and how long will Monica's family have to wait for justice? "48 Hours" correspondent Troy Roberts confronts Beresford-Redman about the charges against in him in his first sit-down interview.

Video diary: "My name is Bruce Beresford-Redman ... I'm in a Mexican prison, where I've been on trial now ... for more than two years and nine months. I am accused of the murder of my wife, Monica ... for a crime I did not commit."

In a video diary he made for "48 Hours", Bruce Beresford-Redman says not a day goes by that he doesn't "miss and think about his wife."

Monica's family misses her too.

"I wish I could believe that he didn't have anything to with my sister's murder," said her sister Jeanne Burgos in a 2012 interview with Troy Roberts. "It's for the love that we have for her and all the memories that we have about her ... that we are here today demanding justice."

Bruce Beresford-Redman

Bruce Beresford-Redman

48 Hours

Recording diary entries in his cell inside Cancun's Benito Juarez Prison and elsewhere around the prison compound over a period of four months, Beresford-Redman says he wanted people to "understand what can happen, to get an idea of, what things are like here in Hell."

Video diary: "Making these video has really made me much more visible here ... which is really not a great thing for me...My existence in here has become a very basic struggle to simply survive."

"For many years I worked in reality TV and the reality of reality television, even at its best ... it's a world that is created. Being in here is real ... it is real and it sucks. .. it's noisy and it's smelly and it's sweaty and hot and cramped ... it's extremely uncomfortable.

"This is not an easy place to be I really don't have any, any what you could call real friends here ... and it's impossible for me to really have anybody in here that I can trust."

Riots there are not uncommon. In his video diary, Beresford-Redman documents the effects of being tear-gassed during an uprising.

Video diary: "It's Friday ... I've heard some pops and then I smelled the tear gas ... I'm getting kind of a choking sensation now ... and my eyes are just burning...it's just really strong ... itchy ... burning ... oh, god, it's awful."

A NEW REALITY

Living behind bars has been the reality for Beresford-Redman since "48 Hours" first met him in February 2012.

"This is not the United States. I really don't know this system. I don't know how it works," he told "48 Hours."

Back then, Beresford-Redman was housed in the high security wing of the Benito Juarez Prison -- a cell block full of drug traffickers and assassins responsible for countless murders around Mexico.

Now, he's in general population where he has more freedom. Beresford-Redman agreed to make video diaries to document his day-to-day life. It is a rare glimpse inside a Mexican prison.

Video diary: "Being incarcerated anywhere, but I think maybe especially here, time just gets warped ... it is almost impossible to live in the present because the present is just absolutely miserable."

"I don't think that I could possibly convey what it feels like to have not seen my children, not held my children, for nearly three years now."

"Everything that I worked my life to build is gone... If I'm convicted, I am facing a sentence of 30 years..."

Beresford-Redman says he spends a lot of time reliving time with his wife and kids -- "just times when I was free."

carnaval-011.jpg

Bruce and Monica Beresford-Redman

Images of Monica -- lovely, vivacious and headstrong -- haunt Beresford-Redman.

Video diary:"I've had a lotta time to think back on things and to remember things from the past..."

For more than two years, "48 Hours" tried to get permission to do a sit-down interview in the prison. That interview between correspondent Troy Roberts and Beresford-Redman took place earlier this year.

"How did you meet Monica?" Roberts asked.

"Monica owned a restaurant in and a nightclub in -- in West Los Angeles called Zabumba," Beresford-Redman replied. "I randomly went there one night for dinner. And this beautiful woman served me great food ... it was a fun place. And I ... went back to try and get her attention ... and I sorta never left. ...Monica was the most beautiful, engaging-- just-- she was great. She was so cool, and -- very quickly I found that my relationship with her was different than any relationship I'd ever had before and I was in love with her and she was in love with me and it was terrific."

Monica's sisters, Carla and Jeanne Burgos, say that when Bruce and Monica first met back in 1997, they seemed like a happy couple. The Burgos sisters spoke to "48 Hours" in 2012.

"She had life. She was very outgoing and self-confident," Jeanne said. "Bruce was a very well read person. He can be very eloquent ... but not necessarily the emotion."

After marrying in 1999, the couple had two children: Camilla, now 10, and Alec, now 7.

Monica had the restaurant and Bruce had his career, which was taking off in a hurry. He was a top producer on the CBS program "Survivor" and also worked on several hit reality shows for other networks and cable outlets.

As the money poured in, the family moved to a $2 million house in Los Angeles. With the more lavish lifestyle, came some unexpected challenges.

"Things became difficult?" Roberts asked.

"At times, sure," Beresford-Redman replied. "Both Monica and I worked a great deal. ...I worked during the day, she worked at night ... there was a period of time when we were sort of passing one another."

If that sounds like a recipe for marital discord, it was. Beresford-Redman began an affair with his longtime casting director Joy Pierce. At times, the two had trouble keeping their hands off each other, even in front of Monica's sister, Carla.

"I went with him to a party," she said. "It was a club ... we got there ... she jumped on his lap ... and I was ... you know..."

"You were stunned," Roberts noted.

"Yeah," Carla replied.

Beresford-Redman was struggling with the affair on an emotional level. He considered telling his parents, David and Juanita, and eventually confided in his mother.

Asked if she encouraged her son to break off the affair, Juanita told Roberts, "I did. I said, 'You know, that's the only smart thing to do. You will hurt yourself. You will hurt Monica.' ...I got the impression that he had really fallen in love and it was going to be very difficult for him to break it off."

After Monica angrily confronted her husband, Beresford-Redman wrote her a brutally frank e-mail. It was written on March 4, 2010 - only one month before the couple was to leave on their ill-fated Mexican vacation. In the e-mail, Beresford-Redman laid bare the painful truth, writing: "Joy and I were lovers." Monica was devastated.

"My relationship with Monica was good," said Beresford-Redman.

"You can't paint a rosy picture on this, right? Roberts asked. " I mean ... you guys had problems."

"Like any marriage, like any family, we had -- we had issues, certain issues," he replied. "But we were -- we were happily married and we were in love with each other ... We were good."

Beresford-Redman wouldn't talk to "48 Hours" about his affair, but in an e-mail written to Joy Pierce in the spring of 2010, he outlined the steps a furious Monica had taken against him: "She...denied me access to my children ... she shut me out of my home ... and liquidated all my money, " he wrote.

"It was a point where she had decided to get divorced from him," said Jeanne.

But Beresford-Redman did all he could to change Monica's mind. He promised he'd break off his affair with Joy and told Monica he would change his ways. Monica agreed to go with him for the family vacation they took every year for her upcoming birthday. This time, they traveled to the Moon Palace Resort in Cancun, Mexico.

"And how was the trip, initially?" Roberts asked Beresford-Redman.

"It was good. It was -- it was really fun, you know," he replied.

"So you and Monica got along well during this trip?" Roberts asked.

"Yeah, we had a really good time," said Bruce.

That's hardly the way Monica described the trip, according to her sister, Jeanne, who says she spoke to Monica by phone the day before she was murdered. Jeanne says Monica was upset about Bruce's cheating.

"I told her, 'Monica, don't worry. You know, come back here, just move on with your life,'" Jeanne said. "...you're just going to build up your life again and you're going to be happy again."

The next day, April 5, 2010, was to be the last day of Monica's life.

"She was gonna do some shopping-- and then she was perhaps gonna go to a spa," Beresford-Redman explained.

"And when did you grow concerned?" Roberts asked.

"Probably 10:30 or 11:00 that night," he said, sighing.

Bruce's concern was made all the worse because he says Monica had not taken her cell phone so he could not call her. Police later discovered that she did not take her passport or a room key, either.

"Was that surprising that she didn't take her phone when you were alone with kids?" Roberts asked.

"No. No, not really," Beresford-Redman replied. "When Monica was off the grid, she was off the grid."

She didn't take her cell phone? She left the kids all day with him? She never does that, ever," Jeanne told Roberts.

Video diary: "One of the things that I remember from the night that Monica was first missing was my children sleeping. I had given them baths and I had put them to bed ...and I thought, 'OK, I'm gonna go outside and I'm gonna take a look. I'm gonna see Monica walking back towards the room."

But Monica did not come back to the room -- not that night and not ever. The long, upward trajectory of Beresford-Redman's once-successful life and career was about to end abruptly.

A LOOK INSIDE PRISON LIFE

When Bruce Beresford-Redman left on his family vacation to Mexico in 2010, he probably never thought home would turn out to be Cancun's Benito Juarez prison.

The prison, where he has spent nearly three years on trial for his wife's murder, houses more than 1,800 men and women in a compound originally built for 700.

Video diary: "When I walk around the prison, no matter where I'm going or what's going on, I am constantly aware that this is just a hostile environment for me."

"I'm completely shut down. I'm simply in survival mode," Beresford-Redman told Roberts. "To make it in here, you cannot indulge in human sentiments. ... you really have to deaden part of yourself and just survive."

Video diary: "My Spanish is still not very good ... So I'm always paying attention ... and you're never really able to relax."

It's a pressure cooker of criminals and contraband that often boils over.

"You're with people who have demonstrated poor impulse control and a number of them may have mental problems,"Beresford-Redman explained. "It's not uncommon to have fist fights ... screaming matches ...it is a very dehumanizing situation."

bbrbehindbars.jpg

Bruce Beresford-Redman his cell at Cancun's Benito Juarez Prison.

48 Hours

Video diary: The cell that I'm in is a very small cell ... it's designed for three men. And there are 10 of us in here. There have been as many as 17... This is the bathroom of the cell. All of these buckets are full of water. The water here runs only for a couple hours a day."
"I come back from my workout and I take my first shower of the day ... I shower four times a day ... I wash my clothes ... I do everything I can to keep myself clean and healthy. It's a real struggle ... This place seems like a really great place to incubate a plague. Despite my best efforts I managed to get a rash that everyone else here had that just swept through this place like wildfire."

The cell is open to the elements -- rain and relentless heat. He says the smell from open sewers is blinding, adding that "the whole country -- it feels like is just steaming."

Video diary: This is my bunk where I sleep. I've awakened probably seven or eight times now with a cockroach on me someplace.

Among the personal items Beresford-Redman keeps on a shelf above his bed -- his favorite picture of his daughter and son.

Video diary: "This is breakfast this morning ... brown liquid with some beans on the bottom there I think ... I have gotten violently ill eating the prison food... I have been able to supplement my diet ... with-- food brought from outside. I befriended-- an inmate in here. He has since been released. But his family still comes to see me once a week with some home-cooked meals and some snacks and some other things, so that I don't have to rely entirely on the prison food."

To pay for his food and other expenses, Beresford-Redman's parents send him money from their retirement nest egg. Less fortunate inmates have to rely on meals in buckets served by new prisoners known as "talachos."

Video diary: "They are as close as you can come to slaves. You can buy your way out of it, or you can do your talacho work for your first year here."

"The guards basically maintain a perimeter on the outside and their concern primarily is making sure that nobody gets out... The prisoners discipline each other ... and it's much more dangerous, because there's really nobody to come to your help, to your aid, if you are in trouble in here."

Danger is all around, but he says Mexican prison also means a freedom he never had in American prison, where he spent 18 months awaiting extradition.

Video diary: "In many ways, this is like a very small village that they just threw razor wire around. There's churches in here, there's a mechanic shop in here ... guys making hammocks."

Some of the women prisoners are even allowed to have their children live with them. Three times a week it's visiting day.

Video diary: "...this place is full today of families ... on visit days. From 8:00 in the morning to 3:00 in the afternoon the prison ... fills up with families and wives and kids...

"Family is extraordinarily highly valued here and the prison administration and prisoners themselves and the gangs in here have enormous respect for the visits."

He says visit days make him sad, "a little melancholy." There are no family visits for Beresford-Redman.

Video diary: "I would not allow them. I don't want them to be confronted with how I am forced to exist in here."

So Beresford-Redman hasn't seen them in nearly three years. His lifeline is phone calls to his children, Alec and Camilla, who live with his parents in California.

Video diary: "To hear my kids' voices, to hear my parents' voices ... is the best, most human part of my day. ... I have not been able to be a father to Camilla and Alec for ... years now. It is devastating. It takes all of my energy just to keep going."

But there's no choice. Beresford-Redman, his family, and Monica's sisters are all navigating an unfamiliar landscape: justice in a foreign country.

"There's no question that the Mexican legal system is different from ours," said Sonya Tsiros, U.S. Consul General for the Cancun area.

Tsiros says she is closely following the Beresford-Redman case - and that by Mexican standards, it doesn't surprise her.

"Has Mr. Beresford-Redman complained to you about the length of this trial?" Roberts asked.

"He has raised that issue," Tsiros replied. "And we're following through on that."

"Do you have any sense of what the prison conditions are like?" Roberts asked.

"I would say that the prison conditions are not up to what we would consider standards in the United States," said Tsiros.

Beresford-Redman, at least, has a bed. "48 Hours" found another American, 38-year-old Johnny Mintu, from Seattle, who, incredibly, sleeps on the floor under Bruce's bunk. It's not uncommon in this prison.

Video diary: "From time to time ... when I just really need some privacy and a little bit of quiet and just a little more space than I can get in my cell or in the rest of the prison ... I book a conjugal room."

Most inmates rent the room for sex. Beresford-Redman says he rents it for peace and quiet.

Video diary: "You're not supposed to be in here by yourself. But I just put down the name Jane Doe and nobody's ever checked."

Trying to recreate life outside the bars is only a temporary escape.

Video diary: "I cannot afford in here to appear on the outside as absolutely broken as I feel on the inside."

As the sun begins to set, the prisoners are locked in for the night.

Video diary: Another night here ... another night in paradise ... then I just lay down and try to go to sleep...

It's a sleep, he says, that is haunted by the memory of his murdered wife.

Video diary: "I still miss her all the time and I still think of her all the time ... I never lose sight of the fact that this is really Monica's story."

Monica's story is a murder mystery. And for Beresford-Redman, it's a real whodunit.

THE DAY MONICA DISAPPEARED

With so much time on his hands, Bruce Beresford-Redman says he thinks often of the day Monica disappeared.

"As soon as I was awake, I called the hotel desk, I guess, and I said you know, 'My wife didn't come back yesterday. Do you know where she is?'" Beresford-Redman told Troy Roberts.

Monica Beresford-Redman

Monica Beresford-Redman

After reporting that she was missing, he called Jeane Burgos, Monica's sister.

"When Bruce called you to say that Monica was missing what went through your mind?" Roberts asked.

"My sister missing? Monica? Monica's not a person that gets lost, she doesn't get lost," Jeanne replied. "She's a person that she goes anywhere and she makes friends and she knows what she's doing."

A worried Jeanne immediately flew to Cancun to help with the search, but the next day, hotel workers found Monica's body in that sewer situated near the family's hotel room.

"How could someone put a person in the sewage. Very, very, very horrible," she said.

"How did you learn that her body was discovered?" Roberts asked Beresford-Redman.

"I was at the hotel ... I was sitting there waiting ...and they brought me back to my room," he replied. "I had no idea what was going on. ...Finally someone told me that they had found Monica's body.

It would have been her 42nd birthday.

Video diary: "I could not make sense of that. It just didn't seem possible."

Bruce Beresford-Redman became a suspect almost immediately because investigators thought his story of Monica's disappearance defied logic. They didn't believe she would leave the children behind without taking her room key, her passport, or even her cell phone. What's more, Beresford-Redman had visible scratches on his body.

He says the injuries to his hand occurred after a boat ride as he tried to carry his children up a steep incline.

"It was rocky and slippery and I had to lift the kids out and then climb out myself and I scratched my hands a little bit," he explained.

As for the scratches to the back of his neck?

"We were diving ... and I surfaced and there was a nylon rope and it was just a rough nylon rope and it abraded ... the back of my head a little bit and that was it," he told Roberts.

Police also learned that two English teenagers had reported hearing screams coming from Beresford-Redman's room very early on the morning Bruce said Monica went shopping.

Jen Heger covered the story for Radar Online.

"A female screamed crying for help," Heger explained. "The next morning, the teenagers told their parents about what they had heard to the concierge. The concierge called the hotel room to see what was going on and Bruce said that Bruce and Monica were arguing about the children and that everything was fine."

Beresford-Redman maintains that he and the children were simply playing a loud, boisterous game. But now his every move was coming under scrutiny.

Asked why he had a "do not disturb" sign on the door all day, Beresford-Redman told Roberts, "Well, I was in and out all day with the kids. We were napping and doing stuff and didn't wanna be disturbed. It's as simple as that really."

"The Mexican authorities believe that Bruce wouldn't allow the maids to clean the room that day because there was a dead body inside and that dead body belonged to his wife -- Monica," said Heger.

The police theorized that Beresford-Redman had suffocated his wife and, later that night, went looking for a place to stash her body.

"We also know," Heger continued, "someone went in and out of the room nine times in the middle of the night."

Beresford-Redman says he was nervously checking to see if Monica was about to return.

"I was in and out of the room many times to take a look to see if I could see her, to walk down to where the footpath is visible and to take a look and return to the room," Beresford-Redman told Roberts.

Back in Los Angeles, Monica's sister, Carla Burgos, thought back to the last time she had seen Bruce and how agitated he seemed to her. It was just two days before the family left for Cancun.

"I've seen him before they traveled and he was totally angry and crazy. I said, 'Don't be around him ... Monica, please listen to me, get out,'" she said.

"Why do you think Monica's family is convinced that you killed her?" Roberts asked.

"I really don't know," Beresford-Redman replied. "I understand their pain. I understand their sense of loss. After my children and myself, their loss is the greatest ... however, why they wanna blame me, I don't know ... that I don't know."

Monica also had life insurance. Her husband was not the beneficiary, but the children stood to inherit $500,000 each. All in all, investigators believed they had a strong circumstantial case but there remained a huge question -- how could Beresford-Redman kill his wife, and then dump her body while taking care of two young children?

"They were in one hotel room and it was not a suite. It was one room," said Heger.

There was scant physical evidence against Beresford-Redman except for a very small amount of blood investigators found on the bedroom pillow and a balcony railing.

"When people look at you with suspicion, how do you feel?" Roberts asked.

"I've been accused of a horrible, abhorrent crime and I'm innocent," said Beresford-Redman.

"You did not kill Monica," said Roberts.

"I did not kill Monica," Bruce replied.

But the police were convinced Bruce Beresford-Redman did kill Monica and they had no other suspects. The hotel, which says it kept written logs of everyone entering or leaving the grounds, reported it had no record of Monica leaving that day. And if there are security cameras at the Moon Palace, no recordings have surfaced.

Video diary: "My best guess would be that somewhere in the course of her day, she ran into some people that she should not have run across ... I think perhaps she attracted the attention of someone who was very dangerous."

While Beresford-Redman was cooperating with police, his children were taken back to Los Angeles by a friend of Jeanne Burgos. She also arranged for her sister's body to be brought back, even though Beresford-Redman had already paid for Monica to be cremated.

"Why do you think Bruce moved to have Monica cremated?" Roberts asked Jeanne Burgos.

"I think it's pretty self-explanatory," she said.

"Why do you think?" Roberts pressed.

"To get rid of any evidence," Jeanne replied.

Beresford-Redman stayed in Mexico for about a week after Monica's body was found. Authorities took his passport and insist they ordered him to remain in the country. He says his lawyer told him he was free to return to the United States.

bbrroberts.jpg

"48 Hours" correspondent interviews Bruce Beresford-Redman

48 Hours

"This is what I find a little difficult ... is that they're investigating your wife's murder and you go home? Why wouldn't you stay here?" Roberts asked.

"Well, because I have two small children who were at my home. They just lost their mom and I believed at the time that I had done all I could do to help the police so I went home to be with my children," he replied.

Having no passport, Beresford-Redman got a ride to the Mexican border near Laredo, Texas, and simply walked across using his driver's license for identification. From there, he took a train rather than fly back to Los Angeles. His unorthodox journey raised suspicions.

"You didn't go back to the United States to escape possible arrest?" Roberts asked Beresford-Redman.

"No, I went home to be with my children. I was at my home. I was not hiding. If I'd been trying to evade I would have attempted to evade. I went back to the United States and went directly home," he explained.

Beresford-Redman cared for his children for seven months. But in November 2010, Mexico declared him a fugitive and issued a warrant for his arrest. He was taken to a federal jail in Los Angeles where he stayed for more than a year until he was finally extradited back to Cancun to stand trial for the murder of his wife.

"Bruce probably feels that he is trapped in the worst reality show he could ever imagine," said Heger.

SEEKING JUSTICE IN MEXICO

In February 2012, Bruce Beresford-Redman -- outfitted in a bulletproof vest -- was extradited back to Mexico in a scene straight out of a movie.

Video diary: "I was taken by the U.S. Marshals to the airport ... I was brought here in the middle of the night in a rainstorm..."

"I hoped that my trial would end quickly when I got here," he told Roberts.

That is not what happened. Essentially, the courts in Mexico move at their own pace. There are no juries and in many courtrooms on any given day, there's more than one trial going on at the same time.

Video diary: "The courtroom that I'm being tried in looks like a very busy shipping office above a warehouse someplace."

Criminal defense lawyer Pat Fanning lives part-time in Mexico and has experience with the country's judicial system.

"They just don't have the resources to do the things the way we do," Fanning told Roberts. "Here, it's more like a municipal office in the United States where you'd go to get your driver's license, where you'd go to pick up a birth certificate or something."

U.S. Consul General Sonya Tsiros says the differences are more than cosmetic.

"There's not a trial, per se, in that there is one period of time in which a judge hears all of the evidence. ... It's done through a series of written presentations to the judge," Tsiros explained. "It doesn't occur ... in the same fashion in the United States."

But as the trial has dragged on, what once seemed like a strong prosecution case appeared to evaporate in court. Testing revealed that the blood droplets found in the hotel room did not belong to Monica. That raised questions about where Monica had been killed because she had suffered a substantial head wound.

"Our experts ... say it is not possible to kill someone and produce that type of injuries without leaving blood," said Jaime Cancino, who is one of Beresford-Redman's lawyers in Mexico. "If that have happened there... it would produced a humungous quantity of blood."

In court, prosecutors could not even produce the Q-tips investigators used to collect the blood. Most everything else they took from the family's hotel room as potential evidence turned out to be contaminated by mold and water damage while in police custody.

And some of the physical evidence presented at trial helped Beresford-Redman. Footprints found near the crime scene were not Bruce's. It also came to light that Monica's fingernails were not tested for the presence of DNA because her body was so decomposed.

"There isn't much direct evidence and the evidence they do have has been contaminated, largely," Roberts noted to Fanning.

"Well, it has in -- in large part. But you still have, for example, that they were havin' marital troubles ... that he had a girlfriend ... the life insurance policy on her for half-a-million dollars," he replied.

But in court, even the circumstantial case against Beresford-Redman appeared weaker than advertised.

Some witnesses, like the English teenagers who reported overhearing screams coming from the Beresford-Redman room, did not appear in court. Beresford-Redman says other witnesses did not repeat the stories they had first told police.

"It's clear to me that they have no idea what happened to my wife," he told Roberts. "There was witness, who was a housekeeper, I think. And he came in ... and before anyone asked a question, he said, 'I wasn't there that day. I didn't see anything. I don't know anything and I don't know why I'm here as a witness.'"

Another person not called to the stand or even part of the case was Emily Hamilton from Baltimore. She says she was nearly raped at the Moon Palace one month after Monica was murdered. And her attacker, Hamilton says, was a hotel worker delivering food to her room.

"He threw me on the bed. ... He had his arms around me. I was trying to force him off and I remember feeling pain ... 'cause I thought I could fend for myself, but he was too strong and overbearing ... and that's when I yelled for my friend Casey and she came back in and that's when he was pulling up his pants and that's when he ran out of the room," said Hamilton.

"So you must've been frightened out of your mind," said Roberts.

"Very much so," Hamilton replied.

That worker was fired. In the United States, it's likely he'd be a suspect in Monica's murder, but that possibility was not raised in Beresford-Redman's trial. However, in 2013, an independent criminologist was appointed by the court to review all the evidence against Beresford-Redman.

"He reviewed the case, he visited the crime scene, he did all the things required to make his report," Beresford-Redman told Roberts.

After six months, the criminologist released a bombshell of a report. His conclusion: Monica was not murdered in her Moon Palace hotel room and there was no physical evidence linking Beresford-Redman to her murder.

Video diary: "I naively assumed at that point that the prosecution would drop the charges and would focus their investigative efforts elsewhere ... and nothing has happened. Charges aren't dropped. My trial continues with no end in sight. I'm still here..."

"If you're gonna convict me, convict me so I can appeal. Otherwise just give me a ruling so I can go home," said Beresford-Redman.

"Do you think you're being unfairly singled out?" Roberts asked.

"I don't know," he replied. "It feels at times to me like they don't wanna do anything with me. I'm stuck and ... in many ways I feel like I'm without a country."

Sonia Tsiros says members of the U.S. consulate have visited Beresford-Redman on 19 separate occasions.

"U.S. citizens who are arrested in a foreign country are subject to the laws of that foreign country," Tsiros explained. "We can't intervene in court cases and we can't request special treatment for U.S. citizens."

"Can you use the influence of your office to move things along?" Roberts asked.

"If there's due process violation, we can raise those. But we can't intervene in -- in a case," she said.

"I'm broken inside. I have lost my wife. I lost my children ... I've lost everything else," Beresford-Redman told Roberts. "I'm on emotional autopilot, just surviving every day in the hopes that I will finally at some point get outta here but that is a diminishing hope."

Of course, he is not the only one who's lost a loved one.

"Everybody loved her," Carla Burgos said of her sister, Monica. "She was so awesome, so full of life. She was so fun, so smart. Everything,"

Each side hopes for justice ... and that may soon be coming because after nearly three years, the last witnesses will finally testify.

A LAST HEARING

After years in a Mexican prison - and in legal limbo - Bruce Beresford-Redman's trial finally may be nearing an end.

Video diary: "It's a Thursday afternoon. Tomorrow I will be taken back to court, and I am told it will be the last hearing in my trial...

"It's very difficult for me to get my hopes up... because I'm always waiting for the other shoe to drop ... and so often it seems to drop on my head."

He says the trial so far hasn't made any sense. Lost or contaminated evidence, missing witnesses and agonizing delays. It's his first court date in about three months.

On this day, he's set to face the prosecutor's final two witnesses -- hotel employees who may have witnessed Bruce and Monica arguing the day before her murder.

"How many times have you appeared before this judge?" Roberts asked.

"If I had to guess, I would say probably, 40, maybe 45 appearances in court over two-and- a-half years. At the many of those appearances, however-- the witness doesn't show up, and we stand around for a little while and they reschedule the witness for another eight weeks or 10 weeks down the road and we all go home again," Beresford-Redman replied.

But these witnesses actually do show up. Today, it's the judge who doesn't.

Like many of the other hearings, this one goes ahead anyway with the judge's assistant presiding.

Video diary: "...the witnesses arrived ... no one including the prosecution seemed to have any idea what they were going to say..."

Incredibly, the final two prosecution witnesses sound like part of the defense team. Both tell the court they've never laid eyes on Beresford-Redman or his wife.

"We didn't hear them arguing," one of them told "48 Hours" after the hearing. "We didn't even see their faces."

With no more witnesses on either side, Mexican law requires the judge to conclude the evidence phase of the trial within about five days; but that doesn't happen.

"Why don't we have a verdict?" Roberts asked Pat Fanning.

"Because we're in Mexico," he replied. "That's how things are done here and nobody gets excited about it."

For nearly three years, "48 Hours" has asked Mexican authorities to go on the record about this case. But they refused.

Back in prison, it's hard for Beresford-Redman not to hope.

Video diary: "Yesterday was a good day...and you sort of take them as they come..."

"I am absolutely confident that if -- if there is a ruling according to the facts, that I will be exonerated," he said.

"And when will that happen?" Roberts asked.

"Well ... that I don't know. That's my problem," he replied.

But the Burgos sisters insist Bruce is right where he should be. And justice for Monica demands that he stay there.

"If he really killed my sister, which it looks like he did, I want him in jail. But it doesn't make me happy to see him in jail," said Carla Burgos.

Video diary: "I spend a lotta time in here looking over the barbed wire ... I can see birds and green trees and life outside -- oh this Hell...

"It's really time for me to go home. It's time for me to be with Camilla and Alec. It's time for me to try and put back together some kind of a life for them and for myself."

His parents, meanwhile, are trying to keep life in California as normal as possible for Alec and Camilla, but it's not easy -- they're 81 and 76.

Juanita Beresford-Redman has been keeping a video diary, too:

"It's ... about 8:30 in the morning. The children have gone off to school. It's reasonably quiet at the moment.

"Camilla's birthday is coming up ... and she asked me yesterday did I think daddy might be able to home for her birthday this year... and I told her honestly, "No honey...he's not gonna make it this year."

"Is it your fear that this may go on indefinitely?" Roberts asked Juanita.

"It is a fear," she replied. "I can't see why it's gone on this long."

Carla and Jeanne Burgos tried and failed to get custody, but they have regular visitation with the children.

"We love those kids more than anything in this world," Jeanne said. "It's not what is good, what is bad, it's what is the best for the kids."

"We are a family, but we're not their father... we're their grandparents," Juanita said. "We love them, but, it's not the same."

"I will never make my peace with being incarcerated for something I didn't do. I will never rest or stop fighting. I may lose continually, but I'm never gonna stop ... because this is crap," Beresford-Redman told Roberts.

But as memories and milestones slip past, all Bruce Beresford-Redman can do is watch, wait, and wish his children well.

Video diary: "...I love you guys, I miss you. Be strong and ... and all I want is for you guys to have the best life you can."

Prosecutors should be submitting their closing arguments in writing by the end of November.

Friday, February 2, 2018

‘Twin Peaks: The Return’ Episode 14 – “We Are Like the Dreamer”

Read article : ‘Twin Peaks: The Return’ Episode 14 – “We Are Like the Dreamer”

An episode of connections.We’re so close to the end I can taste it, but I can’t identify the flavor. With only five episodes before the conclusion, whatever that may be, the plot is still ramping upwards. This week’s episode was, for lack of a better word, PERFECT. It had the artistry of episode 8 and more meaningful narrative clues than any other episode this season and maybe in the entire series. I almost fainted at least four times during the episode, which it took me 90 minutes to get through because I kept having to pause and process. Deep breath, Peakies, here we go:The story continues in Buckhorn, South Dakota, with Gordon Cole making a phone call to an old acquaintance: Lucy in Twin Peaks. After a brief catch-up, Lucy connects Cole to Sheriff Truman, whose call he’s returning. Cole thinks he’s getting Harry, but it’s Frank, who shares his brother’s condition with Cole, then goes on to bring the director up to speed on the missing pages from Laura Palmer’s diary Hawk found hidden in the station bathroom which seem to suggest there are two Coopers. Frank thought Cole might want to know this, even if the Sheriff doesn’t know what it all means. Cole can’t comment but to thank him.Elsewhere in Buckhorn, Albert is sharing the details of Blue Rose Task Force case #1, the one that “started this whole thing,” with new recruit Tammy Preston. In 1975, he says, two young agents were sent to investigate a murder in Olympia, Washington. The agents arrived to arrest the suspect, one Lois Duffy, at a motel, but before they could apprehend her, they heard a gunshot from her room so busted in and found not one but two women there, one dying from a gunshot wound, and one holding a gun. Lois was the wounded one, and shared with them her last words: “I’m like the blue rose.” Then Albert says, almost like an incantation, “She smiles, she dies, then disappears before their eyes.” The other woman, the one holding the gun who’s screaming her head off now, is also Lois Duffy. Not a twin – they checked – but another Lois. This Lois goes to trial for murdering the other Lois, which she swears she didn’t do, but before the verdict comes in, the living Lois hangs herself. Now Albert reveals the names of the two young investigating agents – Gordon Cole and Phillip Jeffries – and asks Tammy what’s the one question she should be asking back? She knows: what’s the significance of the blue rose? The same question Sam Stanley (Kiefer Sutherland) asked Chet Desmond (Chris Isaak) in Fire Walk With Me but Desmond didn’t answer. Albert asks if Tammy also knows the answer. She says a blue rose doesn’t occur in nature, like Lois’ disappearing death, it’s a conjured thing, “a tulpa,” which is a Buddhist term for a concept in mysticism of a being or object which is created through sheer spiritual or mental discipline. It’s also translated as “magical emanation,” “conjured thing,” or “phantom.” Sounds to me like a dream made real, something one imagines and then somehow translates out of imagination.Courtesy ShowtimeCole interrupts to let them know Diane’s on her way. Sure enough, she enters and immediately lights up. Cole asks her about the last night she saw Cooper, not in the prison but at her apartment in Philly all those years ago; he wants to know if Cooper mentioned Garland Briggs. Diane doesn’t want to talk about that night – we remember an insinuation of sexual assault – but Cole persists. Diane says Cooper did mention Briggs. Albert takes over and brings her up to speed on the Briggs case, how he died, or was supposed to have died, and how he really died. He also reveals what they found in Briggs’ stomach, the wedding band inscribed to Dougie from Janey-E. Diane seems to know what this means, and then drops the biggest connective bomb of the entire third season so far: she has a half-sister named Janey who’s married to a man named Douglas Jones; everybody calls him Dougie, and her Janey-E. Last she heard they lived in Vegas, but she doesn’t know for sure, she and Janey are estranged, or, more specifically, Diane hates her. They haven’t spoken in years, and it would seem like Diane has never even seen this Dougie, as he looks exactly like Cooper (at least to us, and to him. We’ve seen him seeing his reflection in a mirror, but I don’t think we’ve seen a picture of Dougie to this point. He could look like someone else to the world). Cole jumps off her recollection and has Tammy get the Las Vegas FBI branch on the horn. He tells the agent, Randall Headley, to get him everything they have on Dougie and Janey-E, pronto. Cole then thanks Diane, dismissing her. Cole shares what he learned from Frank Truman with Albert and Tammy, as well as the fact that last night he had another Monica Bellucci dream, referencing the actual, beautiful Italian actress of such films as Irreversible and Matrix Revolutions: he was in Paris on a case when Monica called and asked to meet him at a certain café, she had something to tell him.The picture shifts to black-and-white, the scene to a Parisian café. Monica and Cole meet, and Cole says Cooper was there, only he couldn’t see Dale’s face. Monica was very pleasant and she’d brought friends, a man and a woman. They all had coffee. We see Monica shed a single tear, then she recites what Cole calls “the ancient phrase:” “we are like the dreamer, who dreams and then lives inside the dream.” Why do I feel like Lynch just gave away the whole shebang right there? Cole told Monica he understood, and then she asked a question for her coda, the same question we were all thinking after what she just said: “Who is the dreamer?” Any guesses? I’ll save my speculation for the end of the recap. In the dream, Cole says a very powerful and uneasy feeling came over him. He says Monica directed him to look at something over his shoulder, where Cole saw himself from long ago. What he’s seeing is the scene from Fire Walk With Me when Coop comes in to tell him about a dream he had, the 10:10 February 16th dream. Is the implication that we’re all in Coop’s dream? Which Coop, though? This, of course, is the infamous Phillip Jeffries scene, and right now I’m sweating I’m so excited. Sure enough, we see Jeffries (David Bowie, to whom the episode is dedicated), specifically, the part of the scene where he points at Coop and asks “who do you think this is, there?” For a quarter-century Twin Peaks fans have been debating this one facet of the scene, and now it feels like a revelation is on the horizon. What kind of Moebius strip are Lynch and Frost plotting? And which Coop was in Philly, then, bad posing as good? Conundrums on top of conundrums. Cole had forgotten about all this until just now, as had Albert, but now they’re both remembering it, and recognizing its significance.In Twin Peaks, Andy, Hawk and Bobby are setting up lunch, but it’s really just a sting to arrest Chad for his part in the Chinese designer drug traffic.A fog settles over Ghostwood Forest and Frank, Hawk, Andy and Bobby are now preparing to ascend the mountain to reach the coordinates left by Major Briggs. Electrical wires hum tellingly overhead: there’s power in the air. They start off. Shades of Coop, Harry, Doc Hayward, and Hawk hiking up to Jacques Renault’s cabin in the original series; I’m hoping for a character-fan shot or a Log Lady run-in, but get neither. Our foursome arrives at the site of what’s left of the station where the Major worked and was “killed.” Bobby went inside the place a couple times when he was younger but doesn’t know what his dad did there, it was all classified. He just remembers a bunch of machines. There is one spot on the property Bobby knows all about, though, Jack Rabbit’s Palace, basically an old tree stump, but to Bobby it was a father-son bonding place where he and the Major traded tall tales. It’s also the starting point of the Major’s directions. They put soil in their pockets as per his instructions, then Bobby mentions a cautionary memory: his dad always told him never to wander around here without him. I bet they all wish the good Major was there now. They press on until they round a corner and find a cloud, fog, steam, mist, smoke, or something of the sort, but very localized, covering just one spot. Light flashes, crackles more like it, from an unknown source. Then the smoke or whatever clears and we recognize the locale: Glastonbury Grove, Twin Peaks’ entrance to The Black Lodge. The circle of 12 sycamore trees, the ring of stones holding a puddle of scorched oil, it’s all there. And so is a body, female, naked. They turn her over. It’s the eyeless woman from the inside of the tower overlooking the purple ocean, the woman who led good Coop to the cube in space then fell into the cosmos right after turning on an electrical devise (like the one in the Dutchman’s quarters that triggered the belching of the Laura bubble in episode 8), and right before we saw the floating head of Major Briggs. Naido is her name according to the credits, and she is alive. She is trying to speak but her words are that same scrambled whisper-echo from the last time we saw her, thus indecipherable. Frank looks at his watch and confirm it is now 2:53, the time the Major’s instructions said they were supposed to be there. Right on time, another vortex – like the one Cole experienced in Buckhorn outside the abandoned house where they found the body of Ruth Davenport with the Twin Peaks coordinates on her arm, these coordinates, most likely – opens in the sky. This time they all see it, and it seems to cause Naido pain. Andy, who is holding her hand, drops it, hypnotized by the vortex, and stands. It’s like something is calling him. Light envelops him and he blinks out of the scene, only to reappear a second later in the Dutchman’s quarters. The Dutchman approaches and sits opposite Andy, just as he did Cooper in the season three premiere.I am the Fireman,” the Dutchman says, and raises his right hand. Andy is holding something now, like a large rose made of paper, very angular and with a spout in its center that spits smoke into the air. This smoke is sucked away through a skylight or something like it, a large, domed, lit circle. Andy looks at this, his concentration slipping into it. It goes dark. We see the box monster (billed in the credits as The Experiment), the mucus strand it regurgitated that birthed BOB, the convenience store, the Woodsmen milling about it – essentially all we were shown in episode 8, including “Gotta light?” guy. Then scenes from the original series: the unknown student running across the TPHS quad upon learning of the death of Laura Palmer, the curtains of the Lodge, Laura’s homecoming photo flanked by reflections of an angel, I assume the same angel who came to Laura at the end of Fire Walk With Me. Then Naido, unresponsive on the ground. Then the two Coops, good and bad, side-by-side. Then a ringing phone, Andy and Lucy in the Sheriff’s station, everything trembling. He’s showing her something, Lucy, but we don’t see what. Naido again, trying to speak. Then the 6 on the telephone pole from Fat Trout Trailer Park by which long ago Teresa Banks’ trailer parked, the pole by which, presently, I think Becky, Shelly’s daughter, might park her trailer. Then the message is over.Courtesy ShowtimeAndy blinks out of the Lodge and back to Jack Rabbit’s Palace, where the others are waiting for him (because of the soil in their pockets, I think, it’s a metaphysical anchor that tethers them to reality). In his arms Andy holds Naido. They have to get her down the mountain, he tells the others, as she’s very important and there are people who want her dead. She’s fine physically, he says, but needs to be in a cell for her safety. He tells them to say not a word to anyone. They don’t object. In an aside, Frank asks Hawk what happened to them out there, but neither can remember.Courtesy ShowtimeIn a cell at the station, Lucy helps Naido into some spare pajamas. Chad heckles Andy from his own cell nearby, but gets an earful from the Deputy for his thoughts. A drunk in another cell with a busted mouth parrots their conversation. In her cell after Andy and Lucy leave, Naido feels the air and makes her strange sounds, which the drunk also imitates. This drives Chad bonkers, but he deserves it. The drunk bleeds profusely from his mouth.Across town at The Great Northern, a pair of security guards are on break. One of them is James Hurley, who mentions they have one more job then they can hit The Road House. The other guard, Freddie Sykes, a young Brit who has a glove on his right hand that makes it difficult to crack nuts, knows James just wants to see Renee – the girl who cried tears of joy while watching him sing last week – then adds this interesting tidbit: Renee’s married. What is it with James and unavailable women? Laura was with Bobby when she and James were together, Donna was technically with Mike Nelson when James moved on to her, Evelyn Marsh was married when they had their tryst, and now Renee too is bound in the eyes of god to another man. Get a new type, dude, for your own safety. And side-note: “Freddie Sykes” is the name of the one-armed man, the true killer, in The Fugitive movie (in the TV show the one-armed man was called Fred Johnson); this is not the only such reference in Twin Peaks – the human name of MIKE, the one-armed man of Twin Peaks, is Philip Gerard, which is the same name as the detective in The FugitiveTV series (Sam Gerard in the movie). Coincidence? Not bloody likely, especially since Freddie, like MIKE, has a limb issue. James mentions today’s his birthday, then changes the subject by asking about Freddie’s glove. Freddie says he can’t take it off, he tried once but bled like crazy, it’s a part of him. James asks where he got it, but Freddie isn’t supposed to tell, he doesn’t think James will believe him. James convinces him otherwise. Freddie was living in London six months ago. After a night in the pub he’s walking home alone and turns into an alley. He gets a peculiar feeling like he’s wasting his life, out drinking when he should be helping people. Then, for some reason, he jumped onto a high stack of boxes and above him a vortex opened. A Lodge vortex, sounds like, especially when Freddie says the vortex sucked him up and put him in front of a fella called himself “the Fireman.” The Fireman tells him: “Go to the hardware store near your flat and there you’ll find a rack of green gardening gloves. One pair will already be open, with only a right-handed glove inside. Purchase that package and place that glove on your right hand. That hand will now possess the power of an enormous pile driver,” and then poof! He was back at home. Freddie did as he was told, found what he was supposed to find, but the hardware store clerk didn’t want to sell it to him since the package was open. Freddie insisted, but the clerk held firm. Freddie tossed the cash on the counter and headed for the door, putting on the glove as he went. The clerk attacked him and in defense Freddie popped him with his gloved hand. It almost killed the clerk, and in the moment Freddie remembered one more thing the Fireman told him: “Once you put the glove on, go to Twin Peaks, Washington, in the United States of America, and there you will find your destiny.” So here he is. James, and I, am flabbergasted. He wants to know why Freddie thinks the Fireman chose him, a question Freddy asked the Fireman. The answer: “Why not you?” Furthermore, when he went to buy a ticket to America, he was told he already had one. It was all arranged. Help me out here, gang – what’s a word that means painfully curious?James goes to check the furnace in the boiler room, the last job of the night. It’s predictably creep AF, and it has me thinking of the boiler room in which BOB revealed himself and his intentions at the end of the international pilot back in 1989. The whole place is throbbing with power, with electricity. But nothing happens, nothing we see, at least, only a bit of attention on a closed door.Cut to Elk’s Point #9 Bar. A figure walking towards it in the dark, smoking. Shades of a Woodsman. It’s Sarah Palmer. She enters the bar and bellies up, orders a Bloody Mary. Seems like foreshadowing to me. At the end of the bar there’s a man with a ponytail and a ball cap nursing a shot and a beer. He notices Sarah. Doesn’t seem like a good notice. He pounds the rest of his shot and approaches. “Truck You,” his shirt says, so you know he’s classy. Turns out he means to hit on Sarah, but she wants to be left alone. Truck You has a hard time taking a hint, and in fact he’s a rude prick. Offensively rude. He tells her she eats cunt. She says she’ll eat him. He finds this funny; I realllllly don’t think he should. Sarah is too calm, scary-calm, dangerous-calm. Truck You threatens physical violence, and then the shit hits the fan. Sarah TAKES OFF HER FUCKING FACE, just like Laura did in the premiere, but where there was light behind Laura’s face, behind Sarah’s there is murky darkness and a bony hand, fingers splayed. In a crackling voice Sarah asks Truck You, “Do you really want to fuck with this?” Hell-to-the-fuck-no, sir, you do not. But it’s too late. She bites his throat out, then screams and acts like she doesn’t know what happened. The bartender naturally questions this. The cops are called. Sarah is unconcerned. Or should I call her BOB?Courtesy ShowtimeThen we’re at The Road House at a table with yet two more lovely young ladies, Sophie (Emily Stofle) and Megan (Shane Lynch, but not related to David; she is, however, the daughter of actress Kelly Lynch). They’re talking about how Megan’s been hanging out at what Sophie calls a “nuthouse” getting high, which Megan denies, explaining she only gets high at home. Then another connective tissue. Sophie asks Megan if she’s seen Billy, Audrey’s Billy. Megan hasn’t, not for a few days. Seems like the running answer around town. Sophie heard Megan was among the last to see him. It’s true. Megan was in the kitchen with her mom and maybe her uncle, and they saw Billy jump a six-foot fence into their yard, running like he was being chased. He busted into their kitchen with blood coming out of his nose and mouth. Everyone started screaming, natch. Billy hung his head in the sink, then turned to look at them, then ran out the back. Sophie can’t believe they didn’t tell anyone, but Megan wants to know what were they supposed to tell? She says she knows Billy and her mom had a thing, and that means either Audrey has a daughter as well, or Tina does, and Tina was also banging Billy, which would explain why Audrey doesn’t care for her. Megan confirms this latter theory, her mom is the mysterious Tina. Anyway, Billy took off and left blood all over their kitchen. Megan still can’t remember if her uncle was there. This “uncle” has to be someone we know, or at least someone of significance. Then the music starts, Lissie, and the episode ends.___This hour was all about connecting storylines: Diane and company to Dougie Jones, to Twin Peaks; Cole’s dream hearkening back to the Jeffries scene in Fire Walk With Me; Andy et al to The Black Lodge and Cooper’s guide Naido; Freddie’s mysterious connection to The Black Lodge, to the Fireman/Dutchman/Giant/?????; Megan, Tina, Billy and Audrey, the unknown uncle – the strands are lining up to be braided. It was a masterful episode, no doubt about it, and one that hints at the structural genius of the series, how the pieces have been in places for decades waiting to align into a complete if mystifying narrative. There’s never been anything like this in the history of television or film, there’s never been a narrative this complex and captivating, this ingenious and insidious, this nuanced and multi-layered. This makes at least the second time – this season – that Twin Peaks has changed how its medium tells stories. TV, more so than film, is a mainstream art form, meaning it’s largely designed for various common denominators. Twin Peaks isn’t designed for anyone, for any standards, or for any expectations. It’s independent TV, for lack of a better term, it doesn’t adhere to the medium’s restrictions, it reshapes them. If you’re out there right now writing your first TV series spec, start over, the rules have changed.There’s a showdown coming, one bound to be set in The BlackLodge just as the showdown at the end of season two was, but if you’re expecting a clear-and-true resolution, watch Game of Thrones; that’s not Twin Peaks’bag. I have ideas on what’s coming – who is this dreamer, and just how long have they been dreaming? We did see little Sarah Palmer (who I’m calling the black-and-white girl who swallowed the bug-BOB in episode 8) fall asleep back in the 50s – but I know they pale to what we’re actually going to get in just three short but soul-crushingly-long weeks.Fourteen down. Four to go. Brace yourselves.More to Read: