Showing posts sorted by relevance for query darker porcelain tile flooring. Sort by date Show all posts
Showing posts sorted by relevance for query darker porcelain tile flooring. Sort by date Show all posts

Sunday, February 11, 2018

Architects' tour showcases cutting-edge designs | News

Read article : Architects' tour showcases cutting-edge designs | News

High ceilings, walls of glass, most rooms facing greenery. This is not the home John Shea's father built in 1940 in Old Palo Alto.

But it's the new home on the same spot Shea grew up that will be featured on the American Institute of Architects, Santa Clara Valley's third annual, self-guided Silicon Valley Home Tours on June 3, which will include four other homes on the Midpeninsula.

When Shea inherited his family home in 2006, he and his wife, Carolyn, thought they'd be able to remodel the 1,400-square-foot bungalow to allow them to age in place in his childhood neighborhood. But, John said, "It was obvious that the expense of bringing it up to code would be about equal to starting over."

At first they thought they'd build something that matched the traditional architecture on the street. But, "I had always admired the Eichler open floor plans and wanted one like that," Carolyn said.

After interviewing a number of architects, the couple chose Burlingame-based architect Gary Diebel "because he listened to what we said," Carolyn said. When Diebel asked the Sheas to bring in photos of what they liked, he pointed out that they were all modern.

Diebel designed a single-story home on the 10,000-square-foot lot, with a permeable paver driveway running the length and curving into a three-car garage at the very rear. Dense plantings soften the the front yard, blending the low home with the rest of the block.

Glass is a key building material throughout the house, from the sliding pocket doors separating the public spaces from the bedrooms to the clerestory windows in almost every room.

At the very front of the house, facing the street, is the office. One wall and the opposite corner are clad in aluminum, blending with the window valance. A bathroom, with a 14-foot ceiling, those clerestory windows, honed Calacatta Gold marble on the floor and tub/shower walls and a blue glass bowl sink, sits between the office and the guest bedroom.

The hallway is lined with John Shea's photographs. Here the windows are at floor level, to prevent fading of the artwork.

In the living room, below the very high clerestory windows, sits a circular light shelf. "We wanted to balance how the light comes in," Diebel said.

Another architectural challenge was the desire by the Sheas to keep their furniture, including a tall china cabinet. "We told Gary to build the house around it," John said. (He even managed to incorporate a stained-glass window that they had made for a San Francisco condominium.)

A large piece of art hangs from a flat bar over the fireplace; roll it to the side and it reveals the flat-screen TV.

Radiant heating was used throughout the house, and no air conditioning is required, since there is adequate cross-ventilation from the many windows. Most of the flooring is wide-planked walnut.

Two wide openings lead to the kitchen, which features "rain" glass windows over the sink and stovetop, offering privacy from their nearby neighbor. It took two-and-a-half slabs of blue granite to create the long countertops, which complement the darker porcelain tile flooring and stainless-steel appliances.

"There's enough light so we can have dark flooring," Diebel added.

On the other side of the public spaces is the laundry room and master-bedroom suite, which has a high-enough ceiling to accommodate the couple's antique hanging lamps. "They go with us where we go," Carolyn said.

The master bathroom features a sink in each vanity, with granite counters and honed porcelain tile floors. With a nod to aging in place, there's no curb to the shower, and the bottom is a non-slick rock pattern.

Sliding glass doors lead outside. A key piece of landscaping is a 60-foot-plus redwood that John recalls his dad planting from a seedling purchased from the Boy Scouts more than 50 years ago.

Other homes, which range from 2,200 to 10,000 square feet, on the tour include:

• A re-interpretation of a "farmhouse style" home in Palo Alto (Fergus Garber Young Architects, Palo Alto).

• A midcentury-influenced townhome with a skylit, steel staircase in Menlo Park (John Lum Architecture, San Francisco).

• A double-gabled Eichler remodel in Mountain View (Klopf Architecture, San Francisco).

• A structure that interlocks with the land in Portola Valley (Square Three Design Studios, Palo Alto).

The focus of the self-guided tour is to walk through the homes, see the materials up close and to meet the architects, who will be on hand at all five homes.

Freelance writer Carol Blitzer can be emailed at carolgblitzer@gmail.com.

What: AIA Silicon Valley Home Tours

When: Saturday, June 3, 10 a.m. to 4 p.m.

Where: Five homes in Palo Alto, Menlo Park, Mountain View and Portola Valley

Cost: $75 general admission; AIA members $59 before June 1 (Purchase tickets here)

Info: 408-298-0611; hometour@aiascv.org; [ http://aiascv.org/page/2017Homes aiascv.org

Saturday, March 4, 2017

a make-do bathroom makeover! ~ Like Mother Like Daughter

Read article : a make-do bathroom makeover! ~ Like Mother Like Daughter

{At the end of this post you will find paint colors to update your almond fixtures, and notes about sources. The Amazon links are affiliate links.}

Working with almond fixtures ~ Like Mother, Like Daughter

I have come to that point where either I show you some pictures of my bathroom makeover in its not-quite-complete form or I give up altogether, because in real life, the “done” things very quickly get to be decidedly worn out, even as you are trying to finish up the details.

And that would not be good, would it, for me to wait so long that the new things got old. So that’s what I’m doing — showing you the way it is in real life, namely, not quite done (or ever likely to be!).

I have one million things to tell you.

We redid two bathrooms at once, simply because they are right next to each other and it seemed to make sense in terms of economy of scale. I’m not sure if that turns out to be correct. It certainly makes sense in terms of one’s willingness to return to chaos after one stage has been dealt with. It also makes sense when the second one is completely unusable, as opposed to the first which is just crumbling.

Here is a diagram/plan of our second floor. Those of you who know me well, know my little attempts to give you an overview of things… which may or may not be helpful.

Working with almond fixtures ~ Like Mother, Like Daughter

What this is conveying to you, in my own wacky way, is that in an old house, choices have to be made, usually according to things known as “stacks” — places where plumbing gets put in and it’s just simpler to go up with it to the next floor than to, you know, actually put it where it’s needed.

Thus, yes, I go a far piece to get to the bathroom. (The Chief also does, but, you know.) And those bathrooms are next to each other. Because, plumbing.

I will show you the other one at some point. We are putting shelving up and then I hope to!

Here are some befores. Please remember that befores are usually taken at the very last minute, after the leaks have gotten bad and pretty much when the demo has begun and suddenly you’re like, “Let me stop the hating for a minute, just for the sake of the blog.” So don’t judge me too harshly; it wasn’t quiiiittte this bad. Well, not till the very end.

BEFORE:

BEFORE: Working with almond fixtures ~ Like Mother, Like Daughter

The leaks had sprung, and that’s what the towels are all about. In my dreams, I would have had an upscale construction company come in here and gut everything, and I would have put in black and white tile and white porcelain fixtures. There would be a freestanding tub with a shower; I don’t see what’s wrong with that! I like it, and it’s old-fashioned and timeless. Plus, way easier to bathe a baby in, versus a dumb jacuzzi and too-small shower.

However, that was not to be.

It’s just too expensive to rip out these built ins. Let this be a warning to you! Try not to build things in. That tub — not going anywhere. Likewise the vanity. It would just cost so much to replace it with its built-in sinks.

That meant that we had to work with the almond. I know. But because of that, I’m here to tell you the best way to do that in terms of decorating!

BEFORE:

BEFORE: working with almond fixtures ~ Like Mother, Like Daughter

Somewhere along the way, when I was still nursing that black-and-white dream of mine, we replaced the old almond (terrible and malfunctioning) toilet with this nice white one.

My reasoning — what would be the point of putting in new almond one if we were on track to gut this bathroom and make it all NOT ALMOND?

Yeah. After crunching the numbers (and recovering consciousness, and paying the tuition bill), we did end up getting one to match, and this beautiful white number is in the new laundry room.

Now, I want you further to note the golden oak trim. Baseboards, windows (sorry, no befores of that), and the radiator cover. I spent a lot of time trying to figure out how to incorporate almond fixtures and golden oak trim, and then I came to my senses.

The trim was getting painted.

AFTER:

Working with almond fixtures ~ Like Mother, Like Daughter

Working with almond fixtures ~ Like Mother, Like Daughter

I took the radiator cover down to the garage and spray-painted it. It’s at times like this that spray-paint earns its keep. Painting all that metal screen with a brush would have been a nightmare of drips and surfaces!

Working with almond fixtures ~ Like Mother, Like Daughter

I also spray-painted the radiator underneath. It had been white and the white showed through the mesh and contrasted with the black. However, I would not do that again — spray painting inside is not a good idea!

We got a bigger shower. The space above the new wall is open on the theory that air circulation is a good thing.

Working with almond fixtures ~ Like Mother, Like Daughter

The trick with the almond is to go a bit darker on the walls, and a white-leaning-towards-gray-taupe (taupe is beige with black in it, or brown/black with white in it, however you want to look at it) for the trim.

Black accents lift everything up out of the 70s-90s. I painted the light fixtures black and got new glasses for the sconces.

Working with almond fixtures ~ Like Mother, Like Daughter

I do really love the flooring. It’s vinyl plank (not laminate sheets). It’s completely waterproof and floats on the subfloor — in this case, partial tile and partial plywood. Just covers it all up and provides a warm, easy to clean surface. I love the color of it.

I call it “Escape from Golden Oak.”

Working with almond fixtures ~ Like Mother, Like Daughter

Working with almond fixtures ~ Like Mother, Like Daughter

The paint and a bunch of the black we had already decided on in the last go-round (the real before featured blue wallpaper, which, who puts wallpaper in a bathroom I ask you, and blue is not a good way to uplift almond). The vanity had been golden oak; I hadn’t thought to take a before picture (there is a similar one on this blog), but I was very pleased with how the hardware went from blah to fab, just with the color change.
Working with almond fixtures ~ Like Working with almond fixtures ~ Like Mother, Like Daughter, Like Daughter
Working with almond fixtures ~ Like Mother, Like Daughter

Working with almond fixtures ~ Like Mother, Like Daughter

Working with almond fixtures ~ Like Mother, Like Daughter

Working with almond fixtures ~ Like Mother, Like Daughter

Working with almond fixtures ~ Like Mother, Like Daughter

Working with almond fixtures ~ Like Mother, Like Daughter
Working with almond fixtures ~ Like Mother, Like Daughter

Working with almond fixtures ~ Like Mother, Like Daughter

Working with almond fixtures ~ Like Mother, Like Daughter

We did update the faucets. Surely you can see why…

BEFORE:

Working with almond fixtures ~ Like Mother, Like Daughter

BEFORE: Working with almond fixtures ~ Like Mother, Like Daughter

AFTER:

Working with almond fixtures ~ Like Mother, Like Daughter

I will say that the surround of the tub and the countertop and backsplashes are all Corian. I like that surface. I would have liked it not to be almond, but oh well.

Working with almond fixtures ~ Like Mother, Like Daughter

One little note you might not think of: The nice-looking black and chrome toothbrush holder from Target (as seen in the before pic just above)?

No good.

No matter how much you rinse the toothbrushes, the dried residue is white! Making your holder look gross. I spray painted mine white.

Working with almond fixtures ~ Like Mother, Like Daughter

There are nice touches in old houses…

Working with almond fixtures ~ Like Mother, Like Daughter
Before:

BEFORE: Working with almond fixtures ~ Like Mother, Like Daughter

After:

DSC_0144

Things I would do at some point:

Touch up the black of the vanity and the frames of the mirrors

Spray paint the towel ring between the two mirrors black

Replace the window over the tub so that it opens (which, among other things, would allow for it to be cleaned on the outside; it’s over the roof of the garage, so a cleaning isn’t happening otherwise!)

Replace or paint the faucet of the tub

Line the curtain to make it look a bit more substantial — this requires coming across a good length of muslin at some point

Paint and sources:

Walls: Olympic, Sienna Sand (which may be the Benjamin Moore name which we originally used, but they can make it at Lowe’s)

Trim: Valspar Cliveden Mist (first we primed the oak well)

The black is just some random black in the case of the vanity (I don’t remember, but just don’t get a blue-black) or black spray paint

Ceiling paint: Take a tip from me and use glossy paint for your bathroom ceilings, preferably one that is mold-resistant — this was a huge upgrade from the regular ceiling paint that had been on there before

Flooring: Shaw’s Matrix Regency Vinyl Plank Flooring in Gunstock, from Lowe’s (I bought this after buying a similar product from Home Depot; I was actually hoping for a lighter color (which I think doesn’t show as much dirt). I was checking out with enough flooring for both bathrooms and caught sight of a sample laid out. My, it was ugly! So I turned right around and returned it all! After much texting of photos to Rosie and a considerable amount of agonizing over the fact that some colors are in stock and some are decidedly not and anyway how are you supposed to tell, I found this one at Lowe’s. I love it.)

Toilet: Gerber

Shower: Got it from the plumbing supply store — it is 5′ wide and has a built-in seat! The door is from Lowe’s and is suspended from the top, making it easier to clean

Faucets: Ufaucet from Amazon. These are very nice and the pop-up drain is metal, not plastic, and the price was right

Towel racks/hooks: Spray painted regular hooks black; Phil made the peg board; carved wooden hook from Marshall’s

Paris map: Available at art stores that sell wrapping paper, for under $4, or here on Amazon for more. I decoupaged it onto a spray-painted piece of particleboard that we had, so the whole thing cost me $5

Curtain fabric: JoAnn’s

Other art: Thrifted, or decoupaged greeting cards — the “abstract art” is actually a picture of a Gee’s Bend quilt, and however much a source of contention it is in my family, I love it for the sweet thriftiness it represents

Shout-out to Bridget who helped me choose the fabric and who did a lot of painting!