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Sunday, March 4, 2018

Ocean House Resources - Coastal Living

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Special Thanks: Nantucket basketmaker Jo Betts Baxley, BaldHead Island, NC, 910/457-5149. Artist Sara Switzer, Wilmington, NC,910/392-7290 or saraswitzerartist.com. Copper sculptor J.A. Cobb,Wilmington, NC, 910/791-3326 or cobbgallery.com. Walker Zanger(kitchen tiles), 877/611-0199 or walkerzanger.com. Dunlay Fine Art(paintings in media room), 866/838-6529 or dunlayfineart.com.Coastal Lighting, Wilmington, NC, 910/763 8211. Zodiaq kitchencountertops and fireplace surround from DuPont, 877/229-3935 orzodiaq.com. Corian bathroom countertops from DuPont, 800/426-7426or corian.com.

Exterior: Roof in Hemlock Green from Schroeder Roofing,Wilmington, NC, 910/799-7585. Doors and window sashes in White fromAndersen Windows, andersenwindows.com. Trim paint, Brilliant White;shingles from James Hardie Siding Products, San Antonio Gray,AC-29; fascia board, Southfield Green, HC-129; handrail cap,Newport Green, 2050-30; by Benjamin Moore. Provence teak outdoorfurniture and Coral Bay wicker outdoor furniture by Laneventure.Seat fabric in aquamarine and pillow fabric in sapphire blue, skyblue, navy, and aquamarine by Sunbrella. Composite decking in Gray,structural lumber in Steel Gray, and HDPE in Gray by CarefreeXteriors Decking Systems. Doorknobs in finish-oil rubbed bronzefrom Baldwin Hardware.

Entry hall/stairway: Walls, Bone Ready Mix; trim, SuperWhite; by Benjamin Moore. Wicker Traveling Case Lamp from WildwoodLamps & Accents. Marsh Harbour Chair by Tommy Bahama fromLexington Home Brands. Pillow fabric from ScalamandrÈ,available to the trade. Table skirt fabric from Polo/Ralph Lauren,polo.com.

Living room: Walls, Bone Ready Mix; trim, Super White; byBenjamin Moore. Grand Cayman rug in Beige by Tommy Bahama from ShawRugs. Wicker Traveling Case Lamp from Wildwood Lamps & Accents.Marsh Harbour Cocktail Table with Glass Top, Marsh Harbour Chair,and blue checked Tight Back Chair by Tommy Bahama from LexingtonHome Brands. Striped pillow fabric from Polo/Ralph Lauren,polo.com. Patterned pillow fabric and table skirt fromScalamandrÈ, available to the trade.

Sitting room: Walls, Bone Ready Mix; trim, Super White; byBenjamin Moore. Grand Cayman rug in Beige by Tommy Bahama from ShawRugs. Wicker Traveling Case Lamp from Wildwood Lamps & Accents.Marsh Harbour Chair and End Table by Tommy Bahama from LexingtonHome Brands. Pillow fabric from Kravet, available to the trade.

Dining area: Walls, Bone Ready Mix; trim, Super White; byBenjamin Moore. Sunset Rectangular Dining Table and Palm Tree OvalBack Side Chairs by Tommy Bahama from Lexington Home Brands.

Kitchen: Walls, Bone Ready Mix; trim, Super White; byBenjamin Moore. Professional Series counter sink, deck-mountedManor House faucet, and deck-mounted bar faucet from Franke.Remembrance window shades from the Kauai Collection in Shell &Sand by Hunter Douglas Window Fashions. Zodiaq countertops in VestaPearl from DuPont. Wall oven, stainless dishwasher, stand mixer,ultra-power food processor, coffee maker, and blender from theStainless Steel Architectural Series; knives, and hardwood maplecutting board; by KitchenAid. Hard maple cabinets with Quaker flushinset doorstyle in Ghosted Bisque finish, low sheen; cherry kitchenisland with Quaker flush inset in Nutmeg finish, low sheen; byPlain & Fancy Custom Cabinetry. 3- by 6-inch fusion tiles inCerulean by Walker Zanger.

Powder room: Walls, Seattle Gray, 2130-70, by BenjaminMoore. Atlantique fixtures in chrome from Franke.

Downstairs bedroom/dunes view: Walls, Edgecomb Gray, HC-174;trim, Super White; by Benjamin Moore. Country Woods Expose windowshades from the Castaway Collection in Autumn by Hunter DouglasWindow Fashions. Moonlight Palms linens by Tommy Bahama from SferraBros. Island Batik rug in Olive by Tommy Bahama from Shaw Rugs.Queen Conch Cottage Bed, Marsh Harbour End Table with Glass Top,East India Desk, and Palm Tree Oval Back Arm Chair by Tommy Bahamafrom Lexington Home Brands. Whitewash Gold Floor Lamps fromWildwood Lamps & Accents.

Downstairs bedroom/ocean view: Walls, Lancaster White,HC-173; trim, Super White; by Benjamin Moore. Silhouette windowshades in Radiant White by Hunter Douglas Window Fashions. IslandJacquard linens and needlepoint pillow by Tommy Bahama from SferraBros. Palms Away rug in Beige by Tommy Bahama from Shaw Rugs.Sprouting Stick Lamp and Rice Box Lamp on side table by TommyBahama from Wildwood Lamps & Accents. Queen Palm Frond Canopyand Tight Back Chair by Tommy Bahama Collection from Lexington HomeBrands. Drapery fabric from Robert Allen, available to thetrade.

Upstairs bedroom: Walls, Pale Sea Mist, 2147-50; trim, SuperWhite; by Benjamin Moore. Remembrance window shades from the FijiCollection in White Lotus by Hunter Douglas Window Fashions. RattanBlanket in Light Lime, Palmyra Blanket Cover in White Sands, andScalloped Crochet Sheets in Chive by Tommy Bahama from Sferra Bros.Weathered Balustre Lamp on side table from Wildwood Lamps &Accents. Leafy Hurricane Lamp on Regatta Dresser by Tommy Bahamafrom Wildwood Lamps & Accents. Queen Islands Tropic Bed, SpiceIsland Arm Chair, End Table, and Regatta Dresser by Tommy Bahamafrom Lexington Home Brands. Patterned pillows from Brunschwig &Fils, available to the trade.

Upstairs bathroom: Walls, Pale Sea Mist, 2147-50; trim,Super White; by Benjamin Moore. Ceiling-mounted Relaxa-plusshowerhead, Relaxa-plus hand shower system, and thermostatic trimfrom Grohe. Towels in Aloe from Royal Velvet. Corner Etagere byTommy Bahama from Lexington Home Brands.

Media room: Wall paint, Scanda, SW-6529, by SherwinWilliams; trim, Super White; by Benjamin Moore. Provenance wovenwood window shades from the Shogun Collection in Osaka Teak byHunter Douglas Window Fashions. Island Batik rug in Spice by TommyBahama from Shaw Rugs. Heraldic Art Lamp from Wildwood Lamps &Accents. Regatta Cocktail Table, Coral Reef Hall Chest, and EndTable by Tommy Bahama from Lexington Home Brands. Aberdeen LeatherWing Chair and Wakefield Sofa by Henry Link Trading Co. fromLexington Home Brands. Patterned pillow from Brunschwig & Fils,available to the trade.

Crofter cottage: Walls, Richmond Bisque; trim, Super White;by Benjamin Moore. Provenance woven wood window shades from theMandalay Collection in Russett by Hunter Douglas Window Fashions.Marsh Harbour Arm Chair by Tommy Bahama Collection from LexingtonHome Brands.

Design team: Architect George Graves, Bald Head Island, NC,910/457-7516; developers Kent and Mark Mitchell, Bald Head Island,NC, 800/234-1666; landscape architect Donna Ray Mitchell,Wilmington, NC, 910/799-4640; interior designer Linda Woodrum, T.S.Hudson Interiors, Hilton Head Island, SC.

To rent the Ocean House, call800/888-3707 or visit baldheadisland.com.

Thursday, March 8, 2018

Make a home studio – in your bath! – The Fujifilm Blog

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Written by Roger Payne

The time had come. I’d been trying to justify keeping my X100Sand X100T for some time but, in reality, since T had arrived, S had been spending increasingly lengthy spells in the cupboard. So, with a heavy heart, I decided to sell. The obvious route was on eBay, so I cleaned the camera up and took a couple of snaps before preparing my listing.

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My initial shot (above) was very typical of the sort of image you see on eBay – lit with flash from the front, it hardly shows my lovely X100S in the best light, while the background is distracting. I didn’t think it would appeal to buyers, so I decided to try an alternative tack and headed upstairs into my bathroom…

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Admittedly, this isn’t the most obvious room in the house to start taking product pictures but, in reality, it’s got a ready made studio for product shots – the bath. White, with a nice curve, the bath bounces plenty of light around to get even coverage and it has a clean, uncluttered background that won’t distract from the item on sale.

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Using an X-T1 with an XF18-55mm lens, I positioned the X100S at the opposite end to the taps, flicked out the X-T1’s rear screen and used the lens cap under the end of the lens to keep everything nice and straight. The X-T1’s screen is perfect for images like this, although fixed screen X-series models will be fine – you might just have to contort yourself into the bath a little! I chose an aperture of f/11, ISO 1600 and used the two second self-timer for hands-free shooting and took a shot.

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Not bad. Considering this was under tungsten light in my bathroom, I instantly had a better image than my earlier front-on flash lit effort. There was, however, a slight orange colour cast as I’d left the X-T1 on the Auto white-balance setting. I switched to the Incandescent white-balance option and took another.

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Better. The colour cast has now all but gone, but I still thought it could be improved further – the highlight on the lens and on the handgrip were distracting, caused by the main light above and to the left of the camera as you look at it. To overcome this problem, I deployed a diffuser on the bath over the top of the camera. I had a ready-made one, but you could use a large sheet of tracing paper to get a similar effect.

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Hey presto, the distracting highlights had disappeared! But I still wasn’t completely happy, so I tried one more option, leaving the diffuser in place and attaching an EF-42 flashgun on to the X-T1. I pointed the flashgun head straight up so the light bounced off the ceiling and switched the white-balance back to Daylight.

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The result is below. Good isn’t it? And you’d never know it was taken in a bath. Naturally, you don’t have to use this idea purely for auction site listings, you could be far more creative, but there’s little doubt that this is a great way to boost the look of items you’re selling. I posted the listing and sold the camera for the price I wanted within a couple of days. What did I use the proceeds of the sale for? To buy an X70, of course!

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Categories: Be Inspired, Macro, Tutorials

Tagged as: bath, fujifilm, home studio, lessons, product shot, roger payne, studio, Tutorials, x-t1, x100, x100s, x100t, xf18-55

Monday, May 22, 2017

Small Bathroom Darkroom Question - T-Shirt Forums

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Small Bathroom Darkroom Question

Old January 30th, 2010 Jan 30, 2010 5:00:29 PM -   #1 (permalink)

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Hello Everyone, Just for a heads up, I'm a total Noob.

I decided to try screen printing only as a hobby. I'm going to be using a small bathroom without a shower/tub as my darkroom because it's the only room without a window in the house. However, I can't figure out, after many hours of research, how to store the screens for emulsion drying in the dark room. I've seen many nice drying cabinets but all are too big for the room. I'm looking for something small and portable that will allow me to store the screens in a light safe environment so I can exit the room.

I'm contemplating buying a large plastic storage container (making it light safe) to store the screens flat but the container will not have any air flow to aid in the drying. Will that be an issue if I'm willing to wait 24 hrs?

Pending the successful answer to question #1 my next question is:
If I expose the screen in the dark room can I transport it to a non light safe bathroom for washout (approximately 30-45 secs) or will the emulsion harden before the washout is complete?

Any help is much appreciated!!!

 

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Old January 30th, 2010 Jan 30, 2010 5:10:04 PM -   #2 (permalink)

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Hey Steve! I'm new to screenprinting as well...but I have also been using a bathroom as a darkroom. I did all my emulsion coating and exposing at night so I wouldn't run into light issues. I also turn off all the lights in my house as well. I just put a towel on the counter and laid the screen on top with a fan blowing on it to dry. If the lights outside the bathroom are off you should be fine exiting the room.

As for your second question I don't think taking the screen to a non-light safe room to wash it out is a good idea...but I'm sure someone else can give you better insight to this question. The bathroom in the middle of my house doesn't have a window and has a shower so I just do everything in the bathroom.

 

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Old January 30th, 2010 Jan 30, 2010 5:28:45 PM -   #3 (permalink)

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I used tape rolls (3 inch masking tape, or what ever you use o mask your edges) to hold the screens up face down (One on each corner of the screen) while the emulsion dried with a fan facing them. Just stacked them on the floor. You can even stack multiple screens if you wanted to but have to be extremely careful!

My bathroom is also small bu I do have a shower in it so I didn't have to move the screens out. As long as you keep the emulsion away from direct UV light you should be okay though (complete darkness it not necessary)

Check out youtees if you haven't.

Good luck!

 

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Old January 30th, 2010 Jan 30, 2010 6:26:53 PM -   #4 (permalink)

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Been screen printing for about 6 years now and I don't have a dark room at all - never have. We use primarily cap film which exposes very quickly. In fact, screens with the Cap film expose in our screen exposer about 5 X faster then DXP coated t-shirt screens.

in either case ... I apply the cap film and the DXP with the lights on in the room. In there is a three 30 watt tube flourescent light.. not sure what type it is, but its the standard "office" type 24" fixture. There are no UV blockers on it. I've never had a problem with washout. While they dry, I do turn the lights off but they may see light for 5 - 10 minutes before that starts (I usually coat 4 - 5 screens at a time so the first one sits in the light while I do the others).

Now ... I'm not recommending that you do this. The point is that emulsion cures from UV light, not visible light. Different lamp types emit different amounts of UV so any given light may be a problem ... or it may not (regular incandescents can be a problem, but yellow bug lights generally are not). Even if you have windows in your house you may be able to carry coated screens around in front of them - most modern windows have UV films on them that keep the UV from the sun from coming into the house. If your windows have that then you're probably fairly well protected - I still wouldn't lean them against the glass to dry, but walking past them with no other protection isn't going to hurt. You can also get sleeves for your flourescent tubes that filter out all UV without blocking the visible. Most flourescents don't put out too much UV in the first place, but these sleeves get rid of all of it so you can leave the lights on all the time.

You'll want to limit exposure to light as much as possible, but generally speaking limited exposure probably won't hurt too much.

 

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Old January 31st, 2010 Jan 31, 2010 4:43:20 AM -   #5 (permalink)

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Kind of like an earlier post, in a small shop that I worked for we would coat the screens, put childrens blocks on the corners of the screens to keep them off the floor and separate from each other. We stacked them sometimes 8 high, then after they dried, put them in the box they came from for storage until they were used. Simple, cheap, worked just fine.

 

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Old January 31st, 2010 Jan 31, 2010 5:49:18 AM -   #6 (permalink)

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For a simple drying rack you can buy four 8 ' 2 x 4's (about $3 each). Take three of them and stand them tall. Put one in the corner of the room. The other two about 18" - 21" out from the corner (or farther if you use 30" screens ... you basically want to be out at least 80% the length and width). Cut 18" - 21" pieces from the 4th one and tie the two on the wall back to the one in the corner. Connect at the top and bottom so you basically have a free-standing corner frame. Now, cut 1" - 2" blocks from the remainder of the 4th board. Using a finish nailer, nail one block each on the bottom of each leg of your frame. Put one of your frames on it (the thickest type you have then a small spacer (thick piece of cardboard and put your next block on all three legs and nail those on. Just work your way up from there and you'll have yourself a drying rack in no time.

 

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Old January 31st, 2010 Jan 31, 2010 5:58:00 AM -   #7 (permalink)

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It's OK to coat your screens in a room with lights on... but away from direct sunlit windows. You do need to allow the emulsion to dry in a dark room. A large box will do the trick in a confined space. For storage after drying, you can use a box or black garbage bag.

If you need to transport exposed screens from exposure area to a washout area, place the screens in a black plastic garbage bag and you should be fine. Again, keep the screens away from any direct sunlight until you have washed them out completely. No better source of UV light than the sun, so you will expose your emulsion by an unshaded window.

 

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Old February 11th, 2010 Feb 11, 2010 5:20:24 PM -   #8 (permalink)

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I use a closet as my darkroom and take my screens outside to washout. (usualy at night)

If you do have to go outside to coat put the screens in a black trashbag and try to do your washout around dawn or dusk so there is low light.

 

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Old February 11th, 2010 Feb 11, 2010 5:51:10 PM -   #9 (permalink)

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Been doing this for a while now . . . when I first started and before I built my own drying rack. I got pieces of 1"x2" wood and cut into 2 in. pieces. coated the screens in the garage where with a bug light on. Then laid 1x2 on the floor at the top of screen and the bottom of the screen and repeated the process when I laid the screens on top of eachother. Then when the screens dried I put them in a black trash bag with a blanket over it to make sure of no UV exposure. When I burned the screen I sprayed it real good with water (water bottle) and moved it into a garbage can with a lid on it. Little at a time I lifted the lid and washed out the screen . . . (kind of a cheap way for a washout booth) never had a problem with this way . . . matter of fact when I work out of the home . . . I still wash out this way. Hit me up if you need any help.

One thing to not if you have wet the emulsion after exposure and wait for thirty or so seconds. You can remove the entire screen from the dark and as long you immediately start washing out you should be fine. Key is to make sure the emulsion stays soft when washing.

Hope this helps.

 

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Old February 13th, 2010 Feb 13, 2010 5:23:09 PM -   #10 (permalink)

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I understand you are starting and don't have the ability to cover any of your windows to make them light safe.

Beware that when drying your screens, water is the enemy. The sink and toilet atomize water when you use them. If you sit on the toilet and flush, you will feel it. Keep an eye on the humidity of the room with with a digital hygrometer.

You might consider putting a dehumidifier in the room to reduce humidity. After a night in your dehumidified room, the hygrometer will read it's lowest.

As the dehumidifier reclaims the moisture the stencils have given up, the room will return to it's lowest Rh% and you will know all the screens are as dry as you can make them.

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Old February 14th, 2010 Feb 14, 2010 3:44:45 AM -   #11 (permalink)

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Follow up on Dark Room Questions:

Maybe I've had some good luck but I've exposed a few screens with out any problems.

I've found that after coating my screens I can exit and enter the bathroom quickly (obviously keeping down to the absolute minimum) without any adverse exposure. After exposing my screens I'll put them in a heavy gauge black trash bag and immediately take them to another bathroom which has been darkened by hanging a towel over the curtains (Not completely dark like a darkroom). I'll wet the screens, being very light conscious while allowing to soak, then using a hand shower head, wash the screens out.

It's obviously not the optimal set up and workflow but it works for now.

I have encountered one problem. The shower head spray nozzle I'm using does not have a lot of pressure therefore puts too much water on the emulsion. I've not had any blowouts yet but I can see it happening. I'm looking for a powerful jet nozzle or some way to attach a hose nozzle to the shower head (Any suggestions?).

Thanks for all the replies!

 

Old February 14th, 2010 Feb 14, 2010 6:31:49 AM -   #12 (permalink)

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Remember, sensitizer reacts with invisible UV light, not visible light. Yellow light is safe light for processing screens because it is very low in UV energy and almost as bright as white light. I know it's Valentines Day, but don't go and buy a red safe light for visible light photography, because you will be only a little better than dark.


Developing your stencil

Water isn't your problem. You can never have too much water. You canhave, not enough exposure. This is the #1 screen making problem. #2 is a positive that doesn't stop all UV energy, like a bad raincoat. The perfect positive

The purpose of exposure is to change the stencil from something that will dissolve with water to something that won't dissolve with water. If the stencil breaks down - it's exposure.

The perfect positive stops all UV energy in the image area and lets UV energy harden/cure the stencil tat needs to stay in the mesh.

Today's a good day to try this print

Exposure is easy, if the image area doesn't dissolve, your positive failed to stop invisible UV energy from getting through your positive.

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Last edited by RichardGreaves; February 14th, 2010 at 07:53 AM..

 

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Old February 21st, 2010 Feb 21, 2010 11:46:56 PM -   #13 (permalink)

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If you're looking for pressure on the shower head, the sprayer end should remove and you can replace it with a hose nozzle. This should help with washout.

 

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