Showing posts sorted by relevance for query timber bridge takes. Sort by date Show all posts
Showing posts sorted by relevance for query timber bridge takes. Sort by date Show all posts

Saturday, June 17, 2017

Villa with breathtaking views where the elements have been carefully curated

Read article : Villa with breathtaking views where the elements have been carefully curated

Architects: Architecture BRIO
Location: Tala, India
Year: 2016
Area: 2.421 ft²/ 225 m²
Photo courtesy: Photographix
Description:

“The Tree Villa perches on the cliff of a 160 acre hilltop ‘treesort’ property surrounded by a meandering river landscape. The idyllic setting in Tala on the West coast of India, is a stone’s throw away from the Kuda caves. Nearly 20 centuries ago, Buddhist monks instinctively understood the qualities of this meditative landscape and made the hills their home. The Tree Villa was conceived as a celebration of this landscape by creating a series of blurred transitional spaces with different levels of transparency and openness within this forested tropical setting.

Upon arrival, a timber bridge takes the visitor off the forest floor on to a large stilted deck that wraps around the house and culminates on a viewing platform. The constant reminder of breathtaking views enhances a reflective ambience that is mirrored throughout the house.

The architectural elements of the house have been carefully curated, each conveying a message of its own: the bathroom enclosure is crafted out of vertical timber slats filled in with mirrored panels that reflect the surrounding forest and the other forms occupying the space.

They are abstractly reminiscent of tree branches that droop, giving nature opportunities to peek through within a constantly animated shadow play of hide and seek.

The horizontal openness and airiness of the large voluminous space below a dominating thatched roof is emphasized by wrapping it with a layer of operable glass. The curved corners of this glazed wooden framework display a panoramic exhibit of nature. The curves create a sensual kind of luxury and bring softness to the space. A second layer of a tie dyed bordered sheer curtains filters the harsh light during the midst of the day and nestles three other enclosures as well.

The villa accommodates 4 adults and 2 children. The functions included provide for two double beds, a loft bed for children, two bathrooms, a lounge, a place for breakfast or paying board games with an outdoor deck and a large viewing deck. Rather than compartmentalizing those activities into distinct rooms, the main space is broken up by three smaller enclosures that are positioned within it, ensuring a visual connection to the forest in multiple directions from all rooms: a pantry-cum-loft unit, a semi-outdoor bathroom and a curtained bed enclosure act as anchors and define interstitial zones such as the breakfast room and the lounge. The free flowing circulation in between creates visual permeability across the plan.

As smaller spaces within a larger space, the bathroom and pantry-cum-loft are enclosures made out of a wooden slatted framework and filled in with white plexiglass.

The pantry unit contains all the services of the room and a small kitchenette. The top of the unit is accessed with a wooden ladder and provides an additional bed. Looking down on the surrounding forest it is almost like a ‘pirates nest’, a great cozy hideout for young kids.

The enclosure of the semi-outdoor bathroom encloses an outdoor courtyard but also protrudes into the glazed interior space. An old Garuga fruit tree punctures the floor of the outdoor bathroom. One branch enters the room and exits again through the thatched roof. Other branches spread across the outdoor bathroom before exiting through multiple circular openings in the enclosure. A free standing bath tub and the indoor-outdoor feel of the space make it an ideal relaxed setting.

A large luxurious king size bed within a soft linen fabric enclosure can be open or closed off depending on demands of privacy.

A spiral staircase connects to a secret lower level that is suspended below the tree villa. This guest suite is on one side backed by a rock outcrop and on the other side surrounded by a thick forest. You can take a shower here with merely a curved glazed sheet separating you and the forest life around you. A timber floored outdoor deck and attached staircase invites you to take a hike in the forest.

Elements and textures as parts of the structure are focused on coexistence. The monochrome colour scheme of the space along with an eclectic mix of partly restored and partly custom designed furniture pieces give the interior a bohemian vibe. The restraint in the colour palette highlights the surrounding greenery.

Sunday, May 28, 2017

Hemp brings high technology to homes

Read article : Hemp brings high technology to homes

Architects speak a lot about form, often unintelligibly. But architecture is not just about design, nor “vertical and oblique circulation elements”, in the words of the late Zaha Hadid. We still want those, whatever they are. We want buildings that make statements and turn heads. Yet materials matter as much as draughtsmanship. They affect the look of a building as well as comfort and carbon footprint. One skill of the architect — and the client — is to choose the best materials with which to build: glass, steel, brick or concrete? Or something else? Something that can breathe and regulate humidity, something non-toxic — something that is truly green.

The most sustainable building materials tend to be derived from plants. Timber is an obvious example, as is bamboo. But there is another fast-growing crop that makes an excellent building material. This plant’s woody fibres can be mixed with a lime binder to make a natural concrete that is lightweight yet has good thermal mass; it is highly insulating, resistant to pests and mould, has good acoustics and moderates humidity. The plant thrives in temperate climates. It can grow from seed to harvest in just four months. Its cultivation needs little or no herbicide or pesticide.

The drawback is that cultivating this greenest of building materials could land you in jail. The plant is hemp; scientific name Cannabis sativa. Varieties with extremely low levels (about 0.3 per cent) of the narcotic compound THC are known as industrial hemp. Although it is nigh impossible to get stoned on a joint made of industrial hemp — unless it were unfeasibly huge — the plant’s cultivation is highly controlled in most countries and requires a licence.

In the US, the first hemp house was built in 2010 in North Carolina using crop imported from the UK. Its architect, Anthony Brenner, estimates “about 50” hemp homes have been built in the US since. Today, hemp homes can be homegrown in the US. Legislation passed in 2014 makes the farming of industrial hemp possible. About 30 US states have legalised the crop, which has other uses in cosmetics, fabrics and food. Cultivation of industrial hemp in the US is still in its infancy. In 2016, just 4,000 hectares were planted. Still, if the entire crop were used for construction, that could build 5,000 small family homes.

Meanwhile, Canada grows 10 times as much hemp as the US, while in Yunnan, south-west China, 10,000 farmers grow industrial hemp. Much of the global hemp production is to make biocomposites for car interiors. In Europe, 33,000 hectares of industrial hemp were grown in 2016, mostly in France. (One of the earliest known examples of hemp architecture is a bridge in France built circa 500AD.)

The Acre on Cumnor Hill, Oxford © John Pardey Architects

Architects are experimenting. Some 1,000 hemp bales (30 tonnes) were exported from France to build Israel’s first hemp house, completed last year. Tav Group Architects, the Israeli firm, designed a 250 sq metre home in the artists’ colony of Ein Hod. About half the home is made of hempcrete, a lightweight alternative to concrete made from woody hemp fibres. The rest is local stone, rammed earth and wood. The house is “like nature herself”, says architect Maoz Alon. “It gives you the rejuvenating feeling of the forest, or a vast fresh meadow.”

Almost any house that can be built with brick and block could equally be built with hempcrete (and a structural frame). Last year, one of the first hemp homes in New Zealand was featured on the New Zealand version of TV programme Grand Designs. The 320 sq metre house, costing NZ$1m (£500,000) to build, used 500 bales of hemp imported from the Netherlands. Despite media dubbing it “the ultimate stoner pad”, this house in Taranaki feels more like a French farmhouse.

Hempcrete — which is weaker than concrete and non-structural — is made by mixing the woody hemp fibres, called shiv, with lime binder and water to form a porridge-like consistency. This is poured into wooden shuttering over a timber frame and tamped down by hand. Yet this method can be problematic. Hempcrete takes several weeks to cure and wet weather hampers construction. Greencore Construction, in association with the University of Bath, has developed a more efficient way to build with hemp. A faster-drying formulation of hemp/lime is combined with wood fibre in prefabricated panels, 300mm thick, with an airtight but vapour-permeable membrane. Unlike hempcrete, these panels are structural (up to three storeys) and easy to assemble.

It is nigh impossible to get stoned on a joint made of industrial hemp — unless it were unfeasibly huge

Last year, HAB Housing, the firm founded by Kevin McCloud of Grand Designs, completed five homes in Oxford, all built of these panels. John Pardey Architects designed the houses. Nothing about them shouts worthy eco-house. Full-height picture windows set within deep reveals look on to trees. “Laugier’s Primitive Hut for the 21st century?” suggests Carl Gulland, a director of John Pardey Architects.

Greencore Construction is now franchising its technology to small housing developers. The first franchisee is a Spanish company, Ekoetxe, which has used the system to build a striking hemp house in the Basque region.

Other plants are also being tested. Researchers at the University of Bath have discovered that rape straw has similar properties to hemp in terms of thermal mass, insulation and buffering humidity. “This is exciting. It’s only something we’ve understood in the last few months,” says Dr Mike Lawrence of the Building Research Establishment’s Centre for Innovative Construction Materials. Presently, most rape straw is either ploughed back into the land or burnt for biomass. Supported by a €5.5m EU grant, Lawrence has developed a “100 per cent bio-based” panellised construction system that uses plant aggregate, including hemp, rape and corn cob. The plant material is coated with nano-particles of silica to make it resistant to decay and fire. These are held together with a plant-based binder, avoiding the need for a lime binder (and the energy-intensive process of heating limestone.) These panels will be on the market in 2019.

The field of green construction is growing ever greener.

Photographs: Tav Group; John Pardey Architects

FT Weekend Festival 2017

Returning for the second year, the FT Weekend’s annual festival celebrates arts and ideas with speakers including Simon Schama, Gillian Tett and Lucy Kellaway.

Saturday September 2
Kenwood House Gardens, London
10am-8pm

Go to ftweekendfestival.com for tickets. Cost is £85. FT subscribers save £10


Tuesday, February 13, 2018

Walking Japan's Sacred Kumano Kodo Trail - Asia travel and leisure guides for hotels, food and drink, shopping, nightlife, and spas

Read article : Walking Japan's Sacred Kumano Kodo Trail - Asia travel and leisure guides for hotels, food and drink, shopping, nightlife, and spas

"Do you know what shape your mind is?"
a monk by the name of Nobuhiro Tamura asks. We're standing late one autumn night in Okunoin, a thousand-year-old cemetery in Koyasan, the center of Shingon Buddhism. This major sect believes the secrets of life are found through meditation and, in a few, choice words, Nobu has given us a lot to ponder below 600-year-old cedars that scrape together high above this otherworldly setting. A jovial monk, he doesn't wait for an answer. Our mind, Nobu says, is the shape of the moon. Like the lunar orb, it's in constant flux. Full one day, ebbing a week later. Yet, wherever we find ourselves in that cycle, eventually, just like the moon, our minds will be full again. These are brain-bending thoughts, surrounded as we are by centuries of Japanese history condensed into more than 200,000 moss-covered markers, tombstones and mausoleums, the immortal remains of once-powerful shoguns, a handful of emperors and, most importantly, Kukai, Shingon's founder, who is widely seen as the father of Japanese culture.

Over the next nine days, we're going to trek more than 90 kilometers of the Kumano Kodo, a 900-year-old pilgrimage on the Kii Peninsula, a mountainous thumb of land south of Osaka that takes in Kumano Sanzan, the three grand Shinto shrines found at Hongu, Nachi and Shingu. It's one of only two pilgrimages listed as a UNESCO World Heritage Site, the other being Camino de Santiago in Spain.

Kumano Kodo
This way to the next shrine.

The Kumano Kodo has many layers. As a pilgrimage, it's a mental puzzle, a key that partly unlocks the syncretism between Buddhism and Shintoism in Japan. Our trek is set up to follow a pattern of death, rebirth and life: you die once but are regenerated on the Kumano Kodo, a Japanese expression points out, one of the many mysteries hidden within this peninsula. It would be tempting to romanticize this as purely the stuff of legends, but Japanese history is as dense here as the stands of hulking cypress. The pilgrimage itself dates back to 907 when former emperor Uda, preoccupied with the ideas of rebirth, transformation and enlightenment, made a similar journey over 30 days. Yet, like the landscape itself, the Buddhist and Shinto beliefs underpinning the journey far predate Uda's undertaking. On this strenuous walk, crossing rivers is seen as a form of purification; ascending mountains, a fusion between man and the sacred environment.

From the start, we're immersed in the deep end. Steps from the cemetery and after a 10-kilometer trek to Koyasan, we stay in a shukubo, or pilgrim's inn, and dine on shojin ryori—vegetarian dishes that include mountain vegetables, several types of tofu,  tempura and rice—all a reflection of the spiritual life. Awake before dawn the next day, we attend a Buddhist prayer service that remembers those who have passed before us, stop in at the Kongobuji temple, the heart of this isolated monastic complex, then transfer by van down the Hiraka-gawa to the coast and the start of our pilgrimage. In all, there are seven Kumano Kodo routes that knit the Kii Peninsula together; we're headed to Tanabe and the head of the Nakahechi trail. But at lunch, before taking a single step on this trek, we're rattled by a small earthquake. If it didn't already, the Kumano Kodo now has our full attention.

A Buddhist monk at prayer.
A Buddhist monk at prayer.

Tree roots form uneven, muddy steps; narrow earthen paths are held precariously in place by stone retaining walls, some as old as the cedars themselves. Sheer doesn't begin to describe the climb through dense forest to Takahara, a peaceful hamlet perched on a remote hillside. "Tsuru, tsuru," our guide Alain Sabourin warns us—it's slippery. Alain had mentioned more than once in the previous two days that our initial stretch along the Kumano Kodo, while short, would be precipitous. Halfway along that sodden trail, breathing heavily, I search overhead for the ridgeline—with no luck. I do spot Alain squatted down on one oversized step, elbows on his knees, arms askew, lost in his own thoughts, waiting for us—American retiree Jeff Johnson, photographer Scott Woodward, and me. French Canadian by birth, now living in Nagoya, Alain has adopted Japan as his own. It's easy to see why. The country's southern forests, resplendent in autumn colors, shed leaves of crimson red and citrus yellow that fall in slow motion along our walk. Another year is dying off, headed into the seclusion of winter, and the effect is hypnotic.

Hiraka-gawa
Autumn colors along the Hiraka-gawa.

Once atop the ridge, the trail eases, rolling with the terrain. The saving grace to this day's harsh trek, aside from its brevity, is that it ends in off-the-map Takahara. Seventeenth-century Japanese poet Basho wrote of walking the Kumano Kodo to free himself of all things familiar, and this village with its thousand-year-old camphor trees makes it feel like we've already done that. On our late-afternoon approach, a ceiling of angry clouds cracks open to the west and sunlight pours into the valley, turning dried grass golden, bathing the handful of homes in this one-road village with a light found only in nature. Two women let us in on a local secret: That night it will rain and, come morning, the world will have turned upside down; the roiling clouds above us will have sunk down into the valley and we will be buoyed above the mist. Our comfortable inn, Takahara Kiri no Sato, is the perfect spot for contemplating the transforming valley. Immediately, Jeff and I conclude that this front-row seat to the Valley of the Mist is a two-onsen stop: one steaming bath before dinner, another early the next morning.

Up before the sun, the clouds below us as predicted, we find Takahara even more enchanting. It feels distant from the modern world, much closer to nature. After that second spell in the onsen, over a Japanese breakfast of river trout, rice and miso soup, I yearn to stay another day. But the trail beckons, so we head away from this patch of paradise. Local guide Jennifer Fujino joins us for the day. A Filipina living in Japan, Jennifer's easy laugh echoes throughout the forest as we walk and talk: an American and three Canadians trek into a Japanese forest… Above the clouds, literally and increasingly spiritually, we're enjoying the day and are headed ever higher along an endless series of log steps. We trudge into a green world of Japanese peaks, our muddy path wending its way through the shaded side of a mountain dense with pine. Slide down one mossy path, clamber up the next, repeat. One slippery log bridge straddles a cold, shallow creek at the base of a particularly high hill. The sheer beauty of the scene moves us to… silence. We've walked into a woodblock print. Sunlight splits through the upper reaches of the trees, to the moist earth and wet hikers along a section of the trail that was navigated nearly a millennium ago, and first written about only 100 years after that. Aside from our gear, the scene is unchanged.

Takahara
The golden valley of Takahara.

This is how each day will play out. During those moments when the wind is the only music to our ears, we drift off into our own thoughts. Alain fills us in on the history and meaning of where we are but recognizes the importance of the lulls. I hear his kumayoke, or bear bells, and our carefully chosen footsteps, but little else. We dip into stretches of silence as often as the trail falls into another valley. Repetitive stands of Japanese cedar and pine, carpets of red maple leaves, vivid mossy stepping stones just waiting to trip us up—quickly, these patterns become a visual meditation. Kobo Daishi, as Kukai came to be known after his death, asserted that we all have the nature of Buddha within us but it is up to us to put it into practice.

Our stop for the next two nights is Yunomine Onsen, a 1,800-year-old hot spring that is said to be Japan's oldest. It presents a last chance to purify ourselves before entering the first of the grand shrines. Cold, wet and caffeine-deprived, the onsen is an easy sell.

Kobo Daishi
Entering the sacred ground of Kobo Daishi's mausoleum in Okunoin.

If it hasn't sunk in yet that this is a trek like no other, the next morning's directions—turn left at the Japanese man boiling eggs in the roadside spring—puts that to rest. We're headed for the first of three Shinto shrines, Kumano Hongu Taisha. Distinct, sulphurous air in town quickly gives way to the clean scent of Japanese pine as the trail ascends into low clouds. Our guide for the day, Hitomi Tamaki, says she's been told we're an oddball quartet—that sneaky Jennifer!—whose conversation veers between veneration and vending machines. Our laughter eases the sting of the path, a rock-and-timber escalator taking us away from town as quickly as our legs will churn upwards. We pass the Kakihara-jaya teahouse, built during the Edo Period and in use as late as the 1970s. One of the most intriguing aspects of the Kumano Kodo is how little the modern world infringes on its setting. These ruins of tea houses, their foundations being sucked back into the wet earth, are a perfect reminder. In turn, they cause Scott and me to pose our daily question about the proximity of any Japanese vending machines—the kind dispensing hot coffee. Alain, as always, laughs off the query, telling us to enjoy these remnants of the past and our immediate present. He's right, of course. Humid air wraps around us but up we go, hundreds of meters before we switch to a roller coaster of a trail through soaring pine so dense that we're cut off from daylight.

That said, all is not well. Alain is concerned about the forecast for rain later in the day. This peninsula is the wettest area of Japan, with upwards of five meters of rainfall annually in some areas. As we reach Hosshinmon-oji, a peak towered over by a simple wooden torii, Hitomi bows deeply, and we follow: this is the outer entrance to the grand shrine and as we pass, raindrops arrive.

Hosshinmon-oji
 Arriving at Hosshinmon-oji.

Twenty minutes downhill, while we sit at lunch in a small covered shop—one that serves hot coffee—Alain scans the sky. "Zaa-zaa," he murmurs, a prediction of heavier rain. Once we finish our bento boxes, the skies open, so we zip up and speed walk through the last few kilometers to the shrine, the rain soaking everything except our spirits. Even in an autumn downpour, Kumano Hongu Taisha is a spectacular sight. All paths on the peninsula lead here, a trio of wooden shrines left to their natural colors and pieced together with intricate joints, some masterful woodwork, the whole structure set against a towering green backdrop. It's a reminder that nature, not the shrine itself, is what is sacred.

Our route to the hamlet of Koguchi begins in a convenience store the next morning. Stocking up on water, sandwiches and onigiri, we turn at the store's parking lot into deep forest. The first few hours of this 13-kilometer walk ascend. Always, the steps. Uneven. Treacherous. Rock. Root. Mud. Morning shade means a cool climb through sweeps of fernsthat do little to absorb the previous day's downpour. Intermittent oji, stone statues that stand between the border of life and death, oversee our progress.

Oji
An oji watches over the trail and its pilgrims.

Topping off at bend in the rock face, we take in a vista that, so local lore has it, includes 3,600 green peaks, forest as far as the horizon. There's a certain satisfaction in knowing that we're among the highest points within sight, distant from all things modern and man-made. By the time we stop for lunch, we're 10 kilometers into the day's walk; and have come across a retired Japanese couple who, all smiles, tell us that a year earlier they covered longer portions of the Kumano Kodo than we're trekking. Over the centuries, many have trod these paths, but the pilgrimage's popularity has dropped off from the days when Ari-no-Kumano mode—literally a procession of ants to Kumano signifying a long, continuous line of pilgrims—was common. The next person we see is on the outskirts of Koguchi, an elderly woman carving out her own piece of the trail by hand.

The Japanese say you can sense the heart of nature here in Koguchi, which feels like a forgotten village, wedged as it is between 800-meter green ridges. We head straight for the one store in town and wheedle our way into a multilingual conversation with three local women who are as shocked by our presence as they are by that day's bread prices. We commiserate, then walk to our inn, steaming onsen and good conversation over dinner. Our night's stay is in a revamped junior high school that closed because of a modern concern: Japan's aging population. This village, with five bridges across its river, has few young residents. The inn is more comfortable than 'd expected but once I'm settled in my futon, the flow of the river outside my window mimics rainfall and disturbs my sleep. Or maybe it's thoughts of tomorrow's epic walk.

Hiker
One happy hiker.

Dwarfed by nature as Koguchi is, it's only a mild surprise that we've turned onto a long, forested tunnel. Slippery-as-ice rocks, fallen tree limbs, streams of water, this moss-green trail nearly beyond reach of the sun's rays is treacherous and continues for as far as the eye can see. Alain had told us that this last day of serious hiking would be, at more than 14 kilometers, our most difficult, but this aged section of the pilgrimage is brutal. It looks and feels like we're in a different century. Every step up to the highest point of our journey, the 870-meter Echizen-toge Pass, is deliberate and thought out. As we near the top, a moss-encrusted, all-knowing oji awaits amid thousands of soaring pines, with a hint of clear sky peeking down. If the climb to this point has been taxing, the descent is lethal. After the previous day's rain, the path is a waterfall in parts, where it's easiest to clamber on all fours through newly formed rivulets. Jeff leans on his walking sticks like never before; it seems like we'll never get back to sea level. We arrive at a clearing with views of the Pacific but in the time it takes to unpack lunch, clouds roll in bringing a seasonal chill. The valley below feels like a finish line, one our aching calves, knees and feet want desperately to reach, yet there's still a final two-kilometer, joint-wrenching series of stone steps down through thick forest that turns day to night.

Dwarf by nature
Dwarfed by nature on the Kumano Kodo Pilgrimage.

Then, the forest parts its cedar curtain to unveil Kumano Nachi Taisha, built in homage to the nearby waterfall's kami, or spirit god. A sacred camphor tree, said to be 850 years old, holds sway over the courtyard and is large enough to enter. At a small altar, the devout say they can hear the beating of the tree's heart.

Delaying the inevitable, we don't tour the third shrine until the following day when we board a train to Shingu to visit Kumano Hayatama Taishi. It's at the mouth of the Kumano-gawa where waters from the sacred peninsula disperse into the Pacific. On cue, it begins to drizzle as soon as we pass under its familiar red torii. Again, we're enveloped by stillness. I don't want our walk to end. None of us does. Still, that's not the same as saying we want to tackle the next rise or slide down another green trail any time soon.

Kumano Hayatama Taisha
At the colorful Kumano Hayatama Taisha.

Dreams of walking the Kumano Kodo will haunt me in the coming days and weeks. In my sleep, I'm ascending, descending, carefully choosing my next move across slippery hewn-log bridges, plotting how to circumvent the centuries-old moss-covered boulders down a hillside. But those dreams will also be of the magical sweep of light permeating Japanese pines and one ominous cemetery in Koyasan. Of pure silence, but also the laughter of an elderly shopkeeper as I insisted that, yes, I did want to buy a ¥500 bag of dried mushrooms from her. Of the deer we spotted on our last hike a couple of hours after Scott mentioned, wasn't it was odd that we hadn't seen a deer? But my mind, moon-shaped as it is, will remain forever curious about what lies around the next corner of this pilgrimage, a walk that leaves the familiar behind.

   THE DETAILS

It's best to take on the Kumano Kodo with local help. Our journey was with Walk Japan(walkjapan.com); tour dates start again this month and last until November. This nine-day walk is ¥362,000 per person, and includes accommodation, a guide, breakfasts and dinners and three lunches, for a maximum group of 12.