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Thursday, October 26, 2017

Pacific Rain Shower Head – The Best Accessory For The Modern Bathroom

Read article : Pacific Rain Shower Head – The Best Accessory For The Modern Bathroom

Free Press Release DB | Press Release Date :Jul 20, 2017  Download


Pacific Rain Shower Head presents an excellent solution for any bathroom, whether it comes to a home or public place.

17 July 2017 – Pacific Rain Shower Head is an innovative accessory for the modern bathroom. This shower head is designed with the idea to make the process of taking shower more pleasant and comfortable, while minimizing all the concerns associated with its installation and cleaning. Pacific Rain Shower Head provides the better experience by taking shower, delivering water under the right pressure, and so, covering the whole body.

There’s no question that every good house owner strives to furnish his home with every little thing, which will make his residence as comfortable as possible. Bathroom is no exception. Despite the fact that we spend not so much time in the bathroom, still, besides getting clean, we want to get relaxed or recreate taking bath or shower. Under this circumstance the construction of shower head plays a crucial part for every shower cabin, since namely shower head distributes water, renders the particular pressure of water, which in its turn renders the massaging effect.

The problem is that far from every head shower, being low flow shower head, can produce the expected massaging effect. In addition, most of shower heads require some skills as well as tools by their installation, and also are quite nondurable. In order to prevent the acquisition of such a low quality item, it’s wise to learn more about Pacific Rain Shower Head, which is the number one choice for all those, who like enjoying taking shower.

People, who are interested in how they can buy this excellent massage shower head can go to Amazon and order it right now. The installation of this amazing accessory for shower cabin will take just few minutes. Furthermore, due to the fact that Pacific Rain Shower Head is made from high quality stainless steel and silicone nozzles, you will be able to enjoy its functioning through the years.

About Pacific Rain Shower Head:

Pacific Rain Shower Head presents an excellent solution for any bathroom, whether it comes to a home or public place. It’s as functional as beautiful. Being made from stainless steel and featuring filter, this perfect shower head is not subjected to rusting and doesn’t require frequent cleaning. Pacific Rain clean shower head is compact and sleek, plus can be easily mounted on the wall or ceiling. Unlike low flow showerhead, Pacific Rain Shower Head offers an exceptional sensation of comfort, providing rejuvenating shower massage, which is so needed after a long day at work.

Contact:

Company Name: Pacific Rain Shower Head

Review URL: https://www.amazon.com/Pacific-Stainless-Pressure-Silicone-Maintain/dp/B06XHXX3LB

Website: https://www.amazon.com/

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Friday, May 26, 2017

DIY Oatmeal Bath Bombs - Soap Queen

Read article : DIY Oatmeal Bath Bombs - Soap Queen

Difficulty:Intermediate

Time:30-45 minutes

Yields:About 7 bath bombs

<a href=DIY Oatmeal Bath Bombs" width="700" height="1218" />

Oatmeal baths are well known for their skin-soothing properties. These Oatmeal Bath Bombs are made with oat extract and colloidal oatmeal to create a soothing bath experience. Colloidal oatmeal is micro-fine and fantastic for dry skin.

Oatmeal Milk and Honey Fragrance Oil gives these bath bombs a creamy, comforting scent. Cocoa butter adds structure and a chocolatey scent. A touch of oatmeal on top gives the bath bombs a finishing touch.

<a href=Oatmeal Bath Bombs" width="700" height="467" />

If you’ve never made bath bombs before, we recommend getting a batch under your belt that does not require a two-part mold. It can be a little tricky to get the perfect molding texture that will stick together and not crumble. Great recipe options for beginners include Rose Gold Bath Bombs and the Sand Dollar Bath Bombs. Watch the Surprise Bath Bomb video for tips on using the Stainless Steel Bath Bomb Mold successfully!

<a href=Oatmeal Bath Bombs DIY" width="700" height="992" />

What You’ll Need:
Stainless Steel Bath Bomb Mold
4 cups Baking Soda (Sodium Bicarbonate)
2 cups Citric Acid
1 oz. Colloidal Oatmeal
4 oz. Cocoa Butter
1 oz. Oat Extract
0.7 oz. Oatmeal Milk and Honey Fragrance Oil
0.6 oz. Polysorbate 80
Witch Hazel in a Spray Bottle
Optional: Cyclomethicone


Click here to add everything you need for this project to your Bramble Berry shopping cart!

OPTIONAL MOLD PREP: Cylomethicone helps the bath bomb release more easily. Pour a small amount on a cotton ball and coat both halves of the molds. This step is optional, but if you have never used the Stainless Steel Bath Bomb Mold before, it’s recommended.

OPTIONAL

ONE: In a large bowl, mix together the baking soda, citric acid, and colloidal oatmeal. To get rid of clumps in the mixture, you can push the powders through a sifter or break them up with your fingers. Citric acid has a tendency to take off nail polish, so wear gloves to protect your manicure. Thoroughly stir the ingredients together.

TWO: Add the cocoa butter to a small heat and fragrance-safe container and melt in the microwave using 30-60 second bursts. Be careful when removing from the microwave as the container may be hot. Add 0.7 ounces of Oatmeal Milk and Honey Fragrance Oil, 0.6 ounces of polysorbate 80, and 1 ounce of oat extract to the melted butter. Use a spoon to fully mix the ingredients together.

ONETHREE: Add the oil mixture to the powder mixture. Use your hands to fully mix the ingredients together.

TWOTHREEFOUR: Test the consistency of the bath bomb mixture. The perfect consistency for molding is a texture similar to damp sand that holds its shape when squeezed. If it’s too dry, use one hand to spritz the mixture with witch hazel and one to mix. Continue spritzing until the mixture holds its shape when squeezed. Below, you can see that the mixture forms a ball when squeezed. This means that the mixture will hold its shape in the mold as well.

FOUR
FIVE:
Add a pinch of oatmeal to the bottom of one half of the mold and cover it with bath bomb mixture. Press the mixture lightly into the mold. Fill the other half of the mold and press the mixture in lightly. Then, scoop more of the mixture on top until it’s mounded in the center. Fill up the second half of the bath bomb, mounding the mixture in the center again. Having loose bath bomb mixture on both sides of the mold and a mound in the center acts as the “glue” when they are pressed together.

FIVESIX: Press the two halves of the mold together firmly until they touch. Then, begin to twist and pull the top half off carefully. Once the top half is removed, allow the bath bomb to sit in the bottom half for several hours up to overnight. If they don’t stick together the first time, keep trying. It can be a little tricky to get the bath bombs to stick together, but practice makes perfect! See how to use the stainless steel molds in the How to Make Bath Fizzies video on Soap Queen TV.

SIXSEVEN: Repeat the process with the other bath bombs. When they’re unmolded, allow them to sit for 24 hours before using or wrapping in plastic wrap to protect them from excess moisture. Learn more about packing and storing your bath bombs in the How to Store Handmade Bath Products post.

Oatmeal Bath Bomb Tutorial

4.0 from 1 reviews

Mondo Oatmeal Bath Bomb DIY

image

These Mondo Oatmeal Bath Bombs feel soothing and luxurious in the tub.

Author: Soap Queen

Recipe type: Bath Bombs

Serves: About 7 Bath Bombs

Ingredients

  • Stainless Steel Bath Bomb Mold
  • 4 cups Baking Soda (Sodium Bicarbonate)
  • 2 cups Citric Acid
  • 1 oz. Colloidal Oatmeal
  • 4 oz. Cocoa Butter
  • 1 oz. Oat Extract
  • 0.7 oz. Oatmeal Milk and Honey Fragrance Oil
  • 0.6 oz. Polysorbate 80
  • Witch Hazel in a Spray Bottle
  • Optional: Cyclomethicone

Instructions

OPTIONAL MOLD PREP: Cylomethicone helps the bath bomb release more easily. Pour a small amount on a cotton ball and coat both halves of the mold. This step is optional, but if you have never used the Stainless Steel Bath Bomb Mold before, it’s recommended.

  1. In a large bowl, mix together the baking soda, citric acid, and colloidal oatmeal. To get rid of clumps in the mixture, you can push the powders through a sifter or break them up with your fingers. Citric acid has a tendency to take off nail polish, so wear gloves to protect your manicure. Thoroughly stir the ingredients together.
  2. Add the cocoa butter to a small heat and fragrance-safe container and melt in the microwave using 30-60 second bursts. Be careful when removing from the microwave as the container may be hot. Add 0.7 ounces of Oatmeal Milk and Honey Fragrance Oil, 0.6 ounces of polysorbate 80, and 1 ounce of oat extract to the melted butter. Use a spoon to fully mix the ingredients together.
  3. Add the oil mixture to the powder mixture. Use your hands to fully mix the ingredients together.
  4. Test the consistency of the bath bomb mixture. The perfect consistency for molding is a texture similar to damp sand that holds its shape when squeezed. If it’s too dry, use one hand to spritz the mixture with witch hazel and one to mix. Continue spritzing until the mixture holds its shape when squeezed. Below, you can see that the mixture forms a ball when squeezed. This means that the mixture will hold its shape in the mold as well.
  5. Add a pinch of oatmeal to the bottom of one half of the mold and cover it with bath bomb mixture. Press the mixture lightly into the mold. Fill the other half of the mold and press the mixture in lightly. Then, scoop more of the mixture on top until it’s mounded in the center. Fill up the second half of the bath bomb, mounding the mixture in the center again. Having loose bath bomb mixture on both sides of the mold and a mound in the center acts as the “glue” when they are pressed together.
  6. Press the two halves of the mold together firmly until they touch. Then, begin to twist and pull the top half off carefully. Once the top half is removed, allow the bath bomb to sit in the bottom half for several hours up to overnight. If they don’t stick together the first time, keep trying. It can be a little tricky to get the bath bombs to stick together, but practice makes perfect! See how to use the stainless steel molds in the How to Make Bath Fizzies video on Soap Queen TV.
  7. Repeat the process with the other bath bombs. When they’re unmolded, allow them to sit for 24 hours before using or wrapping in plastic wrap to protect them from excess moisture. Learn more about packing and storing your bath bombs in the How to Store Handmade Bath Products post.

3.3.3077

Thursday, June 22, 2017

Meet Me In The Bathroom: Rebirth and Rock and Roll in New York City 2001-2011

Read article : Meet Me In The Bathroom: Rebirth and Rock and Roll in New York City 2001-2011

Author: Lizzy Goodman
Publisher: Faber & Faber
RRP: €22.99

When LCD Soundsystem wind-up three furiously over-subscribed comeback shows in Dublin’s Olympia theatre at the end of September, a nearby venue will stage an “I Didn’t Get a Ticket Party”. Six and half years on from James Murphy’s spectacular mic drop in Madison Square Garden, even those who came away empty handed from the frenzied ticket-sale scrum plan on celebrating.

At the turn of the century, when frat-boy nu metal ruled the rock landscape and bubblegum pop vied with super-star DJs and Eminem, the idea of a stubbly, awkwardly pitched studio boffin like Murphy being the hottest ticket of the year would have seemed chucklesome. But not only did the wind change direction, the sea itself did too. Enter stage right, five doe-eyed, finger-clicking New Yorkers with surnames like Casablancas, Hammond Jr and Valensi.

Scoff all you like today at the Strokes but in terms of rescuing a situation by being the very thing the world needed, the story is remarkable. And if you don’t believe a line can be drawn between that band and the fans refreshing Ticketmaster’s LCD Soundsystem page at 8.59am, then you need to read Lizzy Goodman’s exceptional rock chronicle.

New York City was the nursery the huge cultural mutation germinated there in the very late ‘90s. DJs smashed together post-punk, vintage rock and dance music in club nights such as Shout! in Bar 13. Rough-and-ready guitar bands like Jonathan Fire*Eater and the Mooney Suzuki sweated in rock dens such as Don Hills, CBGBs, Brownies and the hallowed Mercury Lounge. Vintage clothing and Lower East Side boho romance played a part. And despite Mayor Giuliani’s drive to clean up the streets, the dot-com achievers came to Lower Manhattan to blow off steam alongside the rock kids. Assisting them were highways of cocaine. 

Canny and savvy, the Strokes made flyers and used frontman Julian Casablancas’ connections (his father founded Elite Model Management) to rope beautiful people along to their club shows. The tunes had a decadence about them, their choppy, raw lo-fi underpinned by an uncommon mixture of refinement and danger. Mercury Lounge booker Matt Hickey recalls calling Geoff Travis of UK label Rough Trade at 7am and playing their EP down the phone. Ten seconds in, Travis knew “that was it”.

Goodman speaks to 160-odd players around at the time, laying out parallel but intermingling lines charting fellow luminaries Yeah Yeah Yeahs, Interpol and The Rapture (whose single “House of Jealous Lovers” ushered Murphy’s DFA label into the music-press conversation).

What seems like yesterday is of course now rock ‘n’ roll lore, and rightly so. We’re reminded that it was just months after the UK release of debut LP Is This It, as Strokes-mania was coming to a boil both sides of the Atlantic, that 9/11 struck. The eyes of the world chained themselves extra fastly to Manhattan Island. New Yorkers themselves rushed out to hug their city amid blizzards of escapist hedonism in wild bars and endless loft parties. Is This It hit US shelves two weeks after the carnage, with the track “New York City Cops” removed out of solidarity. “It made it hard for all the people that wanted to be cynical about the Strokes or take shots at them,” one commentator recalls, “…they became representative of something larger.” New York became a concept worth cherishing and the Strokes and the rest of the acts in their skinny-jeaned slipstream, were ambassadors.

There was more to come. Concurrent threads weave in and out from the glut of acts that followed the Downtown gold rush. The White Stripes and Kings of Leon turned up to exchange notes and, in the case of the latter, share in the Strokes’ bottomless appetite for debauchery. Casablancas helped launch the career of Regina Spektor and the Anti-folk movement spearheaded by the Mouldy Peaches et al. As their peers get the recipe right and continue to ascend, the Strokes fall into the law of diminishing returns and addiction.

Embracing Rashomon-like subjectivity, Goodman stands back and lets everyone have their say. The variety of voices and standpoints not only creates a very full-bodied perspective on that era but also rip-roaring entertainment due to the order and thematic lines Goodman assembles them in. Thus, a constant flow of wickedly juicy gossip (who did how much of what with whom), bitchy put-downs (former DFA co-owner Tim Goldsworthy doesn’t hold back on this feelings towards Murphy) and awkward contradictions (Ryan Adams refusing to accept he provided Hammond Jr with heroin).

By the time Murphy and the Strokes did back-to-back Madison Square Garden shows in 2011, the scene and the world around it were very different. File-sharing and playlist culture shrank budgets and expectations, making the Strokes the last “rock stars” in the traditional, TV-out-the-window sense. But it also meant bands like Grizzly Bear and the brilliant Vampire Weekend were less burdened by NYC rock heritage in both influence and druggy posturing. A more careerist, musically eclectic model emerged in the increasingly priced-out neighbourhoods of Brooklyn. Fitter, happier, more productive, but tamer and less rakish, too. And if, alas, rock ‘n’ roll has lost its edge and those days are gone forever, this is a fitting send-off.    

First published in the Irish Independent. Follow Hilary A White on Twitter.